Le cabinet des rêves

Le cabinet des rêves (1964)

白日夢

L’histoire d’une jeune femme qui dans la salle d’attente d’un dentiste devient l’objet des fantasmes érotico-SM d’un patient artiste.

Date de sortie
1964-12-04
TMDB
5.7 / 10 (19)
Durée
1 h 33 min
Genres
Drame, Thriller, Horreur
Réalisateur
武智鉄二

Distribution

Anecdotes

Daydream is a 1964 Japanese pink film. It was the first erotic film to have a big budget and a mainstream release in Japan, and was shown at the Venice Film Festival and given two releases in the United States. Director Tetsuji Takechi remade the film in hardcore versions in 1981 and 1987. Both of these remakes starred actress Kyōko Aizome.

Background

In the years since the end of World War II, eroticism had been gradually making its way into Japanese cinema. The first kiss to be seen in Japanese film—discreetly half-hidden by an umbrella—caused a national sensation in 1946. In the mid-1950s, the controversial taiyozoku films on the teen-age "Sun Tribe", such as Ko Nakahira's Crazed Fruit (1956), introduced unprecedented sexual frankness into Japanese films.

Nudity and sex would officially enter the Japanese cinema with the independent, low-budget pink film genre. Known as eroductions at the time, Pink films made up the bulk of releases in the 1960s. The first true pink film, and the first Japanese movie with nude scenes, was Satoru Kobayashi's controversial and popular independent production Flesh Market (Nikutai no Ichiba, 1962).

Before entering film, Tetsuji Takechi was a theatrical director, especially known for his innovative contributions to kabuki. Always attracted to controversy, when his interests turned to the cinema in 1963, he focused on erotic films. His first film was Women... Oh, Women! (Nihon No Yoru: Onna Onna Onna Monogatari - A Night In Japan: Woman, Woman, Woman Story, (1963), a sex-documentary which was later given a U.S. release.

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