Durchbruch bei Morgenrot (1958)
The Deep Six
Der amerikanische U-Boot-Offizier Alexander ‘Alec’ Austen wird wegen seiner pazifistischen Weltanschauung von seiner Crew als Feigling angesehen. Er muss sich gegen sie behaupten und seinen Ruf wiederherstellen...
- Erscheinungsdatum
- 1958-01-15
- TMDB
- 5.7 / 10 (13)
- Laufzeit
- 1 Std. 45 Min.
- Genres
- Kriegsfilm, Drama
- Regie
- Rudolph Maté
Besetzung
- Alan Ladd — Alexander 'Alec' Austen
- Dianne Foster — Susan Cahill
- William Bendix — 'Frenchy' Shapiro
- Keenan Wynn — Lt. Cmdr. Mike Edge
- James Whitmore — Cmdr. Warren Meredith
- Efrem Zimbalist Jr. — Lt. Blanchard
- Joey Bishop — Ski Krokowski
- Barbara Eiler — Claire Innes
- Ross Bagdasarian — Pvt. Aaron Slobodjian
- Jeanette Nolan — Mrs. Austen
- Walter Reed — Paul Clemson
- Peter Hansen — Lieutenant Dooley
Wissenswertes
The Deep Six is a 1958 American World War II drama film directed by Rudolph Maté, loosely based on a novel of the same name by Martin Dibner. The film stars Alan Ladd, who co-produced it, William Bendix, Dianne Foster, Keenan Wynn, James Whitmore, Ross Bagdasarian and Efrem Zimbalist Jr. It also marked the film debut of Joey Bishop. It was distributed by Warner Bros. Pictures.
Production
The novel was published in 1953 and became a bestseller.
Rights to the novel were bought by Ladd's Jaguar Productions in 1955. The film was always envisioned as a starring vehicle for Ladd; possible co-stars included Fredric March and Edward G. Robinson. Eventually, William Bendix was cast in the role.
At one point, Doris Day was announced as the film's female lead as part of a three- picture deal to be made over three years; she and Ladd would co-star in two films. This did not happen, however, and Dianne Foster was cast instead.
The Deep Six was to be the first of a ten-picture deal between Jaguar and Warner Bros. to be made over three years. Ladd wanted to use Jaguar to develop new talent and hoped to showcase them in the film.
The screenplay incorporated several subplots (primarily the portraits created by Austen) and characters/back stories from Dibner's 1953 novel, but the plot of the film largely focused on Alec Austen's spiritual crisis of pacifism versus duty, which in the novel did not occur.
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