White Cargo

White Cargo (1942)

In Africa early in World War II, a British rubber plantation executive reminisces about his arrival in the Congo in 1910. He tells the story of a love-hate triangle involving Harry Witzel, an in-country station superintendent who'd seen it all, Langford, a new manager sent from England for a four-year stint, and Tondelayo, a siren of great beauty who desires silk and baubles. Witzel is gruff and seasoned, certain that Langford won't be able to cut it. Langford responds with determination and anger, attracted to Tondelayo because of her beauty, her wiles, and to get at Witzel. Manipulation, jealousy, revenge, and responsibility play out as alliances within the triangle shift.

개봉일
1942-12-12
TMDB
6.2 / 10 (8)
상영 시간(분)
1시간 28분
장르
모험, 드라마
감독
Richard Thorpe

출연진

흥미로운 사실

  • 제작비: US$57만

White Cargo is a 1942 American drama film starring Hedy Lamarr and Walter Pidgeon, and directed by Richard Thorpe. Released by Metro-Goldwyn-Mayer, it is based on the 1923 London and Broadway hit play by Leon Gordon, which was in turn adapted from the 1912 novel Hell's Playground by Ida Vera Simonton. The play had already been made into a British part-talkie, also titled White Cargo, with Maurice Evans in 1930. The 1942 film, unlike the play, begins in what was then the present-day, before unfolding in flashback.

Production

In 1930, Gordon sold the film rights to British International Pictures (BIP) for £15,000. The company then decided to make a sound version and paid Gordon an extra £10,000 for talking rights. The British film version followed the play closely. MGM bought the film rights from BIP and hired Gordon to adapt his own play.

According to the Production Code Administration section of the file on the film in the Motion Picture Association of America collection at the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences, the miscegenation element - a white man becoming intimately involved with a native African woman - of Leon Gordon's story caused great censorship difficulties, beginning with the U.S.

In the play, Tondelayo is described throughout as a "negress." The March 1930 New York release of the 1929 British film, directed by J. B. Williams and Arthur Barnes, starring Leslie Faber, in the U.S. violated the spirit of Hays' decree.

As noted in articles included in the MPAA/PCA files, in accordance with the MPPDA's 1924 agreement of self-imposed censorship, MPPDA head Will Hays deemed the play unacceptable for screen adaptation under the Motion Picture Production Code, effectively banning any studios from producing it.

Tondelayo's ethnicity was therefore changed for the movie, turned into an exotic Arab. In Gordon's original script this fact was to be revealed at the end, but the censor requested the information be revealed earlier. To comply, it was introduced as part of the marriage controversy, which is far more over Tondelayo's character and behavior than her race.

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