Человек-пуля

Человек-пуля (1968)

肉弾

«Люди-пули» — по-японски никудан — слово из романа 1906 года Тадаеси Скураи. Оно означает японских офицеров и солдат-смертников, первыми бросавшихся на амбразуру во время осады военно-морской базы Порт-Артур. В один из последних дней Второй мировой войны 21-летний японский камикадзе сидит в бочке посреди Тихого океана. К ней привязана торпеда, которую солдату приказано привести в действие во время приближения вражеского корабля. Фильм «Человек-пуля» рассказывает о том, как этот юноша провел последние 24 часа перед началом своей миссии — после выхода приказа о спецзадании ему, как и остальным смертникам, дали целые сутки свободного времени.

Дата выхода
1968-10-22
TMDB
6.0 / 10 (15)
Длительность
1 ч 56 мин
Жанры
комедия, драма, военный
Режиссёр
岡本喜八

В ролях

Интересные факты

The Human Bullet is a 1968 Japanese satiric anti-war film about a soldier who becomes assigned to a suicide mission against the American forces during the late stage of World War II. It was written and directed by Kihachi Okamoto, based off his own wartime experiences.

Production

After negotiations with Toho Studios failed, Okamoto financed The Human Bullet himself, shooting it on 16mm film (to be later released in 35 mm format). Independent distribution and production company Art Theatre Guild acted as co-producer.

The film was based on Okamoto's own wartime experiences. As no film studio would provide funding, the director's wife, Mineko Okamoto, stepped up as producer. Working side-by-side, the couple painstakingly raised the necessary funds themselves, eventually managing to bring the production to fruition. It is said that Okamoto even mortgaged his own home to secure the production budget.

Naoko Otani, who was still a high school student at the time, agreed to appear nude in the film. "I don't consider it shameful at all," Ohtani remarked. "While I dislike being gawked at out of mere curiosity, when viewed within the context of the work as a whole, those shots are entirely meaningful." She also made bold statements regarding director Kihachi Okamoto—then in his mid-forties—for whom she had developed a deep admiration: "I have never…

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