Las cuatro plumas

Las cuatro plumas (1929)

The Four Feathers

Un nuevo éxito de Paramount.

Primera adaptación cinematográfica de la novela de A.E.W. Mason. Un oficial británico abandona el ejército antes que le manden a Egipto para luchar contra los rebeldes. Su prometida y tres amigos del regimiento le envían cuatro plumas blancas, símbolo de cobardía. A partir de ese momento, emprenderá una peligrosa misión, para devolver las plumas a sus dueños y recuperar su honor.

Fecha de estreno
1929-06-01
TMDB
5.0 / 10 (8)
Duración
1 h 21 min
Géneros
Drama, Aventura
Director
Merian C. Cooper, Lothar Mendes, Ernest B. Schoedsack

Reparto

Curiosidades

  • Basada en: Las cuatro plumas

The Four Feathers is a 1929 American synchronized sound war film directed by Merian C. Cooper and starring William Powell, Richard Arlen, Clive Brook and Fay Wray. This was the third of numerous film versions of the 1902 novel The Four Feathers written by A. E. W. Mason. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The 1929 version of The Four Feathers premiered at the Criterion Theatre in New York City in June 1929.

Production

The picture has the distinction of being one of the last major Hollywood pictures to be released without audible dialogue. The soundtrack was recorded by Paramount Pictures using the Western Electric Sound System recording process. The synchronized film featured a musical score with sound effects.

The book the film was based on, The Four Feathers (1902), was one of the only books in Cooper's possession while he served as a volunteer for the Polish resistance in Kościuszko's Squadron. Cooper found the book inspirational. Kamran Rastegar, associate professor of Arabic and comparative literature at Tufts University, noted several parallels between Cooper's life and that of the protagonist of Four Feathers: both were born into military familie…

Cooper, Shoedsack, and Shoedsack's wife, Ruth Rose, traveled to Tanzania and Sudan to shoot parts of the film in 1927. Cooper wrote "Two Fighting Tribes of Sudan" for a 1929 National Geographic article using material from the expedition. Film from the expedition was interweaved with parts shot on sets in Hollywood. Actors were not transported to Sudan, which helped reduce filming costs.

Adolph Zukor, Paramount studio head, insisted on the film having no talking sequences, even though the directors wanted it to be a talkie. The film has been billed as the "last of the big silent films" even though it had a soundtrack and sound effects. According to Thomas Schatz, producer Selznick saved the film from disaster by conducting retakes and reediting the film after its initial preview.

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