La tempestad (1979)
The Tempest
Narra las viscisitudes de un mago llamado Próspero y su hija Miranda, exiliados en una isla desierta por Antonio, el hermano de él. La oportunidad de venganza llega al enamorarse Miranda y Fernando, el hijo de Antonio, que le usurpó a Próspero el título de Duque de Milán... Libre -y poco convencional- adaptación de "La tempestad", de William Shakespeare.
- Fecha de estreno
- 1979-09-13
- TMDB
- 5.8 / 10 (27)
- Duración
- 1 h 35 min
- Géneros
- Drama, Fantasía
- Director
- Derek Jarman
Reparto
- Heathcote Williams — Prospero, the Right Duke of Milan
- Toyah Willcox — Miranda, his daughter
- Karl Johnson — Ariel, an airy spirit
- Jack Birkett — Caliban, a savage and deformed slave
- Peter Bull — Alonso, the King of Naples
- David Meyer — Ferdinand, his son
- Neil Cunningham — Sebastian, his brother
- Richard Warwick — Antonio, his brother
- Christopher Biggins — Stephano, a drunken mariner
- Peter Turner — Trinculo, his friend
- Ken Campbell — Gonzalo, an honest councillor
- Elisabeth Welch — A Goddess
Curiosidades
The Tempest is a 1979 film adaptation of William Shakespeare's play of the same name. Directed by Derek Jarman, produced by Don Boyd, with Heathcote Williams as Prospero, it also stars Toyah Willcox, Jack Birkett, Karl Johnson and Helen Wellington-Lloyd from Jarman's previous feature, Jubilee (1977).
Production
Jarman had been working on adapting The Tempest for several years before filming began, working on an adaptation for the stage before settling on a film adaptation. He was attracted to Shakespeare's original play due to the themes of forgiveness he saw throughout the text.
The movie was part of a slate of films worth £3 million in all produced by Don Boyd.
The film was shot inside Stoneleigh Abbey, Warwickshire. Jarman chose the location due to budget constraints, as the abbey created the atmosphere he wanted without needing access to an expansive or exotic set.
The costuming draws on the styles of multiple eras, meant to serve as "a chronology of 350 years of the play's existence, like the patina on old bronze." The combination of styles is made to reference the production history of the play as well as draw on modern aesthetics familiar to 20th century audiences.
In his production notes, Jarman states that he took stylistic inspiration from films such as Rosemary's Baby (1968) and films produced by Hammer Film Productions.
Leer en Wikipedia · Texto de Wikipedia, CC BY-SA 4.0. Datos de Wikidata.
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