디비니티: 영생의 성수 (2023)
Divinity
과학자 스털링은 영생에 대한 물음을 던지며 “디비니티”라는 이름의 액체의 약를 만드는데 인생을 바쳤다. 그의 아들 제이슨은 아버지는 한 때 아버지가 가졌던 선한 꿈을 지배하고 통제한다. 약물에 의해 황폐화된 이 행성에서의 진정한 근원은 은폐된지 오래이다. 베일에 싸인 두 형제가 행성의 지배자를 납치할 계획을 세우고, 매력적인 여성 니키타의 도움으로 그들은 진실된 영생의 길로 나아간다.
- 개봉일
- 2023-10-13
- TMDB
- 5.1 / 10 (48)
- 상영 시간(분)
- 1시간 17분
- 장르
- SF, 판타지, 공포
- 감독
- Eddie Alcazar
출연진
- 스티븐 도프 — Jaxxon
- 모이세스 아리아스 — Star
- Jason Genao — Star
- 벨라 손 — Ziva
- Scott Bakula — Sterling
- Emily Willis — Lynx
- Mike O'Hearn — Rip
- Caylee Cowan — Felicia Flexi
- Karrueche Tran — Nikita
- Thomas Hildreth — Tavis
- Sawyer Jones — Young Jaxxon
- Dean Norris Jr. — Young Rip
흥미로운 사실
- 촬영지: 캘리포니아주
Divinity is a 2023 American science fiction film written and directed by Eddie Alcazar in his directorial debut, and starring Stephen Dorff, Moises Arias, Jason Genao, Karrueche Tran, Michael O'Hearn, Emily Willis, Scott Bakula, and Bella Thorne.
Production
Steven Soderbergh and Eddie Alcazar announced in September 2021 that they were collaborating on a new film with Alcazar directing and Soderbergh producing, and Soderbergh serving as executive producer. In April 2022, Scott Bakula and Bella Thorne joined the cast, and DJ Muggs would compose the music.
Instead of the traditional pre-production, production and post-production process, Alcazar attempted to do everything all at once, writing and editing through a series of seven different shoots over a year. During the breaks, Alcazar shot a portion of the film, edited for 2–3 months and shot again, while also rewriting the script and begin production with the actors to implement the changes.
Alcazar attempted to use film stock for shooting the film in black-and-white formats, despite the logistical challenges as use of film stocks in feature films were quite obsolete. Having acquired the Vision2 and Vision3 stocks from Kodak, he and cinematographer Danny Hiele shot the entire film on 16mm black-and-white reversal, which was rarely used and generated extremely high contrast.
For filming the epic climatic action sequence, Alcazar was initially skeptic due to monetary constraints and the reduced number of crew being unable to film the scene at a massive scale. Hence, he used the stop motion technique for the extended fight scene. Alcazar had to plan that scene because he could not do multiple takes in stop motion. To make it more efficient, he used the Metascope concept which he did in The Vandal.
위키백과에서 더 읽기 · 텍스트 출처: 위키백과, CC BY-SA 4.0. 데이터 출처: Wikidata.
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