Geht’s hier nach Hollywood? (1994)
I'll Do Anything
Matt Hobbs ist ein talentierter aber erfolgloser Schauspieler. Als seine Ex-Frau ihn mit seiner Tocher Jeannie allein zurücklässt, müssen sich beide erst einmal aneinander gewöhnen. Jeannie ist gewöhnt, alles nach ihrem Willen zu bekommen – und zwar sofort. Dies bringt nicht nur seine neue Beziehung zur Produktionsassistentin Cathy Breslow durcheinander, sondern auch seine Karriere
- Erscheinungsdatum
- 1994-02-04
- TMDB
- 5.6 / 10 (57)
- Laufzeit
- 1 Std. 55 Min.
- Genres
- Komödie, Drama, Musik
- Regie
- James L. Brooks
Besetzung
- Nick Nolte — Matt Hobbs
- Whittni Wright — Jeannie Hobbs
- Albert Brooks — Burke Adler
- Julie Kavner — Nan Mulhanney
- Joely Richardson — Cathy Breslow
- Tracey Ullman — Beth Hobbs
- Jeb Brown — Male D Person
- Joely Fisher — Female D Person
- Vicki Lewis — Millie
- Anne Heche — Claire
- Ian McKellen — John Earl McAlpine
- Joel Thurm — Martin
Wissenswertes
- Budget: 40 Mio. $
I'll Do Anything is a 1994 American comedy-drama film written and directed by James L. Brooks. While a large part of the film is a satire of the film industry, it also skewers relationships from various angles. Its primary plot concerns a down-on-his-luck actor who suddenly finds himself the sole caretaker of his six-year-old daughter. The film starred Nick Nolte and Whittni Wright in her film debut, with supporting roles filled by Albert Brooks, Julie Kavner, Joely Richardson and Tracey Ullman. I'll Do Anything was released by Columbia Pictures on February 4, 1994.
Production
Originally I'll Do Anything was conceived and filmed by James L. Brooks as an old-fashioned movie musical and parody of "Hollywood lifestyles and movie clichés", costing $40 million. It featured songs by Carole King, Prince, and Sinéad O'Connor, among others, with choreography by Twyla Tharp.
I conceived the story as a musical because musicals have a heightened sense of reality. Through song you can get closer to the truth. But even before I had any music I believed I had a complete script. I wrote it like any script. As far as the music was concerned, I only knew where I wanted the songs to go. [...] The point is that with or without musical numbers, the story worked.
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