Strumpet (2001)
Strayman, a spontaneous poet, is landlord to a pack of stray dogs. Unable to resist another of life's strays, he hooks up with Strumpet, a shy, homeless girl with an extraordinary gift for music. After Strayman's neighbour overhears them singing, the three set off for London - Strayman's dogs in tow - in search of fame, fortune, and Top Of The Pops.
- Data di uscita
- 2001-08-23
- TMDB
- 5.1 / 10 (16)
- Durata
- 1 h 12 min
- Generi
- Dramma, Commedia, Musica
- Regista
- Danny Boyle
Cast
- Christopher Eccleston — Strayman
- Jenna G — Strumpet
- Stephen Walters — Knockoff
- David Crellin — Curdy
- Amanda Fairclough — Strumpet's Mother
- Graeme Hawley — Producer
- Josh Cole — Record Engineer
- Jonathan Ryland — Colonel Parker
- Stephen Taylor — Perry
- Ramzi Marouani — Security Guard
- Adam Zane — Tim
- Bernard Wrigley — (Scenes Deleted)
Curiosità
Strumpet is a 2001 British music-drama film produced by the BBC in association with Destiny Films. It was directed by Danny Boyle, written by Jim Cartwright, and stars Christopher Eccleston, Jenna G and Stephen Walters. The film score was composed by John Murphy.
Production
While working at the Royal Court Theater in the 1980s, Director Danny Boyle was introduced to the work of Jim Cartwright. He left the theater before the opportunity to direct one of his plays came available, but maintained a desire to work with the playwright. That chance came in 2001 when Boyle returned to the small-screen to direct several small-scale dramas.
The script, about the creative instinct, became the vehicle Boyle used to illustrate how music and street poetry are spontaneous and unplanned creations. Boyle spoke of the film by saying, "Strumpet is a tribute to all the great musicians and writers who have come out of Manchester. God knows where they come from, or how they keep going, but they're always there."
Strumpet was shot completely on digital video on location in Manchester and London by director of photography Anthony Dod Mantle, who had worked with the medium on previous films. Cameras were placed in locations throughout the set so that every shot could be covered in multiple angles. Boyle, who is an advocate of digital video, would go on to use it in his next feature film, 28 Days Later.
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