英雄 (1966)
নায়ক
讲述了一个演员在去领一个奖的途中，与一个年轻记者相遇，并在谈话中开始了对自己生活的重新评价。 1966年 ，印度导演萨耶吉特.雷伊执导的《英雄/主角>在柏林电影节获得国际影评人协会奖,入行十年就已手握一狮两熊的雷伊站在领奖台上时,是否会感到已经如自己所创造的角色一般失陷在在荣誉和金钱的荒漠中了呢?不得而知,但对曾在诗哲泰戈尔开办的桑提尼克坦乡村大学研习艺术的雷伊而言,这种惶惶不安的自省可能已经是一种近乎固执的本能了
演员阵容
- Uttam Kumar — Arindam Mukherjee
- 莎米拉·泰戈尔 — Aditi Sengupta
- Bireswar Sen — Mukunda Lahiri
- Kamu Mukherjee — Pritish Sarkar
- Susmita Mukherjee — Molly Sarkar
- Jamuna Sinha — Shefalika Devi
- Subrata Sensharma — Ajoy Dev
- Ranjit Sen — Haren Bose
- Premangshu Bose — Biresh
- Sumita Sanyal — Promila Chatterjee
- Bharati Devi — Manorama Bose
- Lali Chowdhury — Sairindhri Bose (Bulbul)
趣闻
- 获奖：1 · 提名：0. 包括：National Film Award for Best Bengali Feature Film
Nayak is a 1966 Indian Bengali-language epic psychological drama written, scored and directed by Satyajit Ray. Produced by R. D. Bansal under the banner of R. D. B. & Co., the film stars Uttam Kumar as a matinee idol on a 24-hour train ride from Kolkata to Delhi to receive a National Award, where he ends up revealing his mistakes, insecurities, and regrets during a multi-part interview to a young journalist, played by Sharmila Tagore.
Production
In a letter Ray wrote in 1966, he said, about the film's development: I wanted a relationship to develop between the Matinee Idol and a girl on the train. Romance was out – the time being so short – but I wanted something with an interesting development. The transition from apathy mixed with a certain dislike, to sympathetic understanding, seemed a promising one.
Ray wrote the screenplay for the film in Darjeeling, where he went during the off-season from filming. While writing, he had Uttam Kumar in mind for the lead—not as an actor, but rather as a "phenomenon". When Ray finished the script, he read it to Tapan Sinha, and said, "I would choose Uttam for this role", to which Sinha replied: "This is the perfect choice.
The role of Aditi was initially offered to Madhabi Mukherjee, the star of Ray's previous films Mahanagar (1963) and Charulata (1964), but Mukherjee rejected the offer for personal reasons. Only then did Ray think of Sharmila Tagore, who he had directed in her first two films years earlier, but had recently been busy filming Hindi films.
The film was shot in the latter half of 1965. The scenes onboard the train were filmed in Studio 1 and 2 of New Theatres' Calcutta studio, where art director Bansi Chandragupta, after observing the construction of train compartments at Santragachi Junction, built a set based on the luxurious train cars of the Rajdhani Express.
Shortly before making Nayak, Kumar had a bout of chickenpox that left pockmarks on his face. He was upset when Ray told him on the first day of filming that he was not going to be wearing any makeup, but Ray reassured him, saying he would not be without makeup for the entire shoot.
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