Gli amori di Richard (1980)
Richard's Things
Kate viene avvertita dall’ospedale che suo marito è lì ricoverato per un infarto. Lì scopre che il marito non era in viaggio di affari ma stava con un’amante. Volendo conoscere questa ragazza, inizia a frequentarla, prima cercando di capire il rapporto dell’amante con il marito e poi ripensando al suo matrimonio. Nel corso del tempo fra le due donne si instaura un rapporto sempre più stretto fino a diventare una relazione vera e propria.
- Data di uscita
- 1980-12-26
- TMDB
- 4.9 / 10 (12)
- Durata
- 1 h 44 min
- Generi
- Dramma
- Regista
- Anthony Harvey
Cast
- Liv Ullmann — Kate Morris
- Amanda Redman — Josie Chambers
- Peter Burton — Colonel
- Tim Pigott-Smith — Peter
- Elizabeth Spriggs — Mrs. Sells
- David Markham — Morris
- Mark Eden — Richard
- Gwen Taylor — Margaret
- John Vine — Dr. Mace
- Michael Maloney — Bill
- Tracey Childs — Joanna
- Margaret Lacey — Miss Beale
Curiosità
Richard's Things is a 1980 British drama film directed by Anthony Harvey and starring Liv Ullmann, Amanda Redman and Peter Burton. It was written by Frederic Raphael and based on his 1973 novel of the same name. It was entered into the 37th Venice International Film Festival.
Production
The film was shot in March and April 1980, over a "tight" six week schedule. Filming locations included Maidenhead and Eastbourne. Harvey recalled before they arrived at one location for filming, there had been two suicides shortly before the crew got there, and that it was "unhappy shooting there ... it was very peculiar that place, I think it definitely was haunted."
According to Raphael, he asked Audrey Hepburn and Deborah Kerr to play the part of Kate, but they both declined. Harvey then sent the script to Katharine Hepburn for the part, but "she was too old, and knew it." So they showed the project to Liv Ullmann, who agreed to do the part for a salary of $350,000.
In an interview where Raphael was asked if the reason for the adaptation of his novel was because the "liberalism of cinema had finally caught up with the theme — a mistress having an affair with the widow of her lover", Raphael bluntly replied:I suspect that it was because of the usual heterosexual fantasies about lesbian women. I fancied it as being much more erotic.
Raphael said by the time they had finished shooting the film, Ullman had become "venomously hostile towards Redman", and Ullman's relationship with the director was not much better, as "Harvey told her to fuck off the day before they finished." Raphael said in his view, Ullman was the only actress he ever worked with "who did not do her best for the piece." He also said that while "she may not have meant to sabotage it ...
Raphael also recalled that Redman told him that in a scene where she showed her breasts to the camera, Ullman said to her, "There! I don’t know how you can do it. You have completely destroyed your career — no one will ever respect you again." Raphael opined that because Ullman did not have a leading man in the film, "she had no one who could flatter or flatten her."
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