Cendrillon

Cendrillon (1899)

A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.

Data lansării
1899-10-01
TMDB
6.2 / 10 (131)
Durată
6 min
Genuri
Dramă, Familie, Fantasy, Romantic
Regizor
Georges Méliès

Distribuție

Curiozități

  • Bazat pe: Cendrillon

Cinderella is an 1899 French trick film directed by Georges Méliès, based on the fairy tale by Charles Perrault. It was released by Méliès's Star Film Company and is numbered 219–224 in its catalogues, where it is advertised as a grande féerie extraordinaire en 20 tableaux.

Production

Méliès modeled the film's visual style on the engravings of Gustave Doré, who had illustrated the story for an edition of Perrault's fairy tales. (Doré was stylistically influential across Méliès's career, especially in this film and in his film adaptations of four other works Doré had illustrated: Red Riding Hood, Blue Beard, The Wandering Jew, and Baron Munchausen's Dream.) The direct inspiration for the film of Cinderella was probably a stage…

Cinderella was Méliès's first film with multiple scenes (tableaux), using six distinct sets and five changes of scene within the film. (His catalogue, by dividing the action into smaller beats, lists twenty tableaux within the film, a generous numbering probably devised for publicity reasons.) So many extras were used in Cinderella that Méliès designated a Chief Extra to lead them.

Citește pe Wikipedia · Text din Wikipedia, CC BY-SA 4.0. Date din Wikidata.

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