असली नकली (1962)
Anand, the grandson of a rich businessman, walks out of his home to avoid an arranged marriage. But his grandfather goes to great lengths to bring the boy back, even if it means exploiting the sore spots of Anand's newfound lady love.
- Erscheinungsdatum
- 1962-06-05
- TMDB
- 6.4 / 10 (5)
- Laufzeit
- 2 Std. 40 Min.
- Genres
- Drama, Liebesfilm
- Regie
- Hrishikesh Mukherjee
Besetzung
- Dev Anand — Anand
- Sadhana Shivdasani — Renu
- Mukri — Nandu
- Leela Chitnis — Renu's mother
- Sandhya Roy — Shanti
- Nazir Hussain — Dwarkadas
Wissenswertes
Asli-Naqli is a 1962 Hindi film produced by L.B Lachman and L.B Thakur. The film is directed by Hrishikesh Mukherjee and stars Dev Anand, Sadhana, Leela Chitnis, Anwar Hussain, Sandhya Roy and Keshto Mukherjee. The film's music is by Shankar Jaikishan and the lyrics by Hasrat Jaipuri and Shailendra. The film became a box office hit.
Trivia
Hrishikesh Mukherjee as a director comes to maturity in this film and develops a signature style of healthy family entertainment. This film follows one of his earlier successes, Anari.
Innovative Song Picturisation: In the expression of love, while filming the song "Ek But Banaunga", Hrishikesh Mukherjee took care that Dev Anand and Sadhana maintained a distance of at least 20 feet between them. At one time when they come nearer, there is a blackboard on a stand between them. When Dev Anand turns around the blackboard to Sadhana's side, the latter puts a slate between them.
Similarly, while picturising the song "Tera Mera Pyaar Amar", Hrishikesh Mukherjee demonstrates the love between Dev Anand and Sadhana by putting them in different places as the song unfolds. In the early part of his career, Hrishikesh Mukherjee was a cinematographer and all through the film, there is brilliant camera work.
The song "Tujhe jeevan ki dori se" is also used in the movie Guddi in a dream sequence song featuring Dharmendra.
Highlights: There is a scene in which Nazir Hussain praises the workmanship of an artifact to Dev Anand when the latter is disturbed. The same scene would be repeated by Hrishikesh Mukherjee in the film Namak Haram (1973), between Om Shivpuri and Amitabh Bachchan.
Auf Wikipedia weiterlesen · Text aus Wikipedia, CC BY-SA 4.0. Daten aus Wikidata.
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