Rebel (1985)
This drama is set in World War II Australia, where an American Marine, Rebel is recuperating from wounds suffered in battle. He is weary of war and is intent on going AWOL and escaping from Australia. He becomes infatuated with a local singer, Kathy and pursues her. Kathy is married and initially is not interested in him, but later begins to love Rebel. Kathy receives a letter advising her that her husband was killed in battle. The local police and the U.S. Military are searching for Rebel as an AWOL soldier. Rebel arranges to escape Austalia by a cargo ship, but eventually allows himself to be arrested in order to keep the local police from arresting Kathy for harboring him
- Дата выхода
- 1985-12-05
- TMDB
- 5.4 / 10 (11)
- Длительность
- 1 ч 29 мин
- Жанры
- военный, мелодрама
- Режиссёр
- Michael Jenkins
В ролях
- Мэтт Диллон — Rebel
- Debra Byrne — Kathy McLeod
- Брайан Браун — Tiger
- Bill Hunter — Browning
- Ray Barrett — Bubbles
- Julie Nihill — Joycie
- John O'May — Benie
- Kim Deacon — Hazel
- Isabelle Anderson — Mrs. Palmer
- Шири Да Коста — Barbara
- Джой Смитерс — Mary, All Girl Band
- Cassandra Delaney — All Girl Band
Интересные факты
- Сборы: 886,8 тыс. A$
- Наград: 5 · Номинаций: 9. В том числе: Премия AACTA за лучшую операторскую работу; Премия AACTA за лучший дизайн костюмов; AACTA Award for Best Original Music Score; Премия AACTA за лучшую работу художника-постановщика
Rebel is a 1985 Australian musical drama directed by Michael Jenkins and starring Matt Dillon, Debra Byrne, and Bryan Brown. It is set in World War Two.
Production
Considerable changes were made from the play, including turning the female lead from a postal worker into a singer in a female band. It was originally hoped to cast Olivia Newton-John in this role but Debra Byrne was cast instead and made a great personal success in it.
Director Mike Jenkins decided to push the musical aspect, and went for a stylised approach in collaboration with designer Brian Thomson. The manager of Matt Dillon, who was imported to play the lead, did not like the approach, saying it was too much like a Francis Ford Coppola movie - which Thomson took as a compliment. He wanted his client to appear in a straight period film closer to Breaker Morant.
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