Una nube di terrore

Una nube di terrore (1960)

ガス人間第１号

Un uomo di nome Mizuno è vittima degli esperimenti del professor Sano ed in seguito a essi acquisisce l'abilità di trasformarsi in un essere gassoso indistruttibile. Mizuno è ricercato dalla polizia per l'omicidio del professor Sano e per alcune rapine in banca. Ma l'uomo, spinto dalla paura, persevera nella sua condotta e neanche l'amore per una donna riuscirà a cambiare il suo destino. Malinconico e non privo di crudele ironia, Una nube di terrore è insieme a Bijo to ekatai Ningen (Uomini H) una originale variazione sul tema della mutazione che si distacca nettamente dalla abituale produzione di Honda.

Data di uscita
1960-12-11
TMDB
7.1 / 10 (29)
Durata
1 h 32 min
Generi
Fantascienza, Crime, Thriller
Regista
Ishirō Honda
Collezione
変身人間シリーズ

Cast

Curiosità

The Human Vapor is a 1960 Japanese science fiction thriller film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho, it is the third and final film in the Transforming Human Series, after The H-Man (1958) and The Secret of the Telegian (1960). Yoshio Tsuchiya stars as the titular character, a man transformed into a gaseous being after a scientific experiment goes awry. Kaoru Yachigusa, Tatsuya Mihashi, and Keiko Sata appear in supporting roles.

Production

The Human Vapor marked the third and final installment in the Transforming Human trilogy at Toho, following The H-Man (1958) and The Secret of the Telegian (1960). The project originated when producer Tomoyuki Tanaka acquired a story outline by American screenwriter John Meredyth Lucas, best known for his work on Star Trek and earlier B-movies.

Kimura's script deliberately reflected the turbulent socio-political climate of 1960 Japan. The Anpo protests—massive demonstrations against the revised U.S.–Japan Security Treaty—had paralyzed Tokyo in June, culminating in the cancellation of President Dwight D. Eisenhower's state visit and the resignation of Prime Minister Nobusuke Kishi.

Ishirō Honda joined the project under unusual circumstances. Initially attached to direct an aviation drama titled Today I Am in the Skies (今日も私は空にいる), Honda saw the film canceled by Toho executives. Simultaneously, Jun Fukuda—originally slated to helm The Human Vapor—departed for another assignment, prompting Tanaka to reassign Honda.

The majority of interior scenes were shot on Toho Studios soundstages in Tokyo. Exterior filming took place at two symbolically charged locations: the Bank of Japan headquarters in Chūō, Tokyo and the National Diet Library.

Cinematographer Hajime Koizumi employed low-angle tracking shots, chiaroscuro lighting, and canted angles—particularly in Dr. Sano's laboratory—to heighten psychological unease. Honda and Yoshio Tsuchiya (Mizuno) collaborated on a signature transformation gesture: the actor places his hand over his heart before dissolving, a subtle tic that became a visual motif. Tsuchiya recalled: "I asked Honda, ‘How should I disappear?'...

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