The Lion of the Moguls (1924)
Le Lion des Mogols
In the kingdom of the Moguls, Prince Roudghito-Sing, a young officer of the palace, falls in love with Zemgali, a captive princess held prisoner and coveted by the Grand Khan. Fleeing the country, he takes refuge in Paris and his presentability allows him to be hired as an actor by a French film company. The trouble is that Anna, the star of the movie, is attracted to him. Which displeases banker Morel, the producer and Anna's lover... Written by Guy Bellinger
- Date of release
- 1924-12-12
- TMDB
- 6.9 / 10 (7)
- Runtime
- 1h 42m
- Genres
- Drama, Romance
- Director
- Jean Epstein
Casting
- Ivan Mosjoukine — le prince Roundghito-Sing
- François Viguier — Le Grand Khan
- Nathalie Lissenko — Anna
- Alexiane Perreault — L'esclave Zemgali
- Camille Bardou — Le banquier Morel
- Dorothy Adelphi — Le freluquet
- Joe Alex
- Kiki of Montparnasse — La fille qui danse dans le bar
- Metchnikoff — Le régisseur
- Henry Prestat — Le jeune premier
- Myla Seller — La jeune fille
- Victor Sviatopolk-Mirsky — Un opérateur
Interesting facts
Le Lion des Mogols is a 1924 French drama film directed by Jean Epstein. It is the first film that he directed for the Films Albatros production company.
Production and reception
Jean Epstein had already established himself as an innovative film theorist and director with the publication of several books and the direction of several films, notably L'Auberge rouge and Cœur fidèle, when he was introduced to Russian exile Alexandre Kamenka, the co-founder of Films Albatros. He signed on to direct a film based on an idea by Ivan Mozzhukhin, the star of the studio.
Most of the film was shot at the Albatros studios in Montreuil with on-location shots in Paris and on a boat in Marseille.
The film was a success both at the box office and with critics. La Cinématographie Française characterised it as "a strange and fantastical adventure in which the middle part is taking place in a chimerical Asia, allowing artists such as Epstein for cutting and lighting, Lochakoff for the sets, Mozzhukhin for the interpretation and Bilinsky for the costumes, to indulge in wonderful extravagances." Georges Sadoul on the other hand found the film "…
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