Las aventuras de Goopy y Bagha

Las aventuras de Goopy y Bagha (1969)

গুপী গাইন বাঘা বাইন

Dos chicos aspiran, cada uno por su lado, a ser artistas: Goopy desea ser cantante y Bagha quiere tocar el tambor dhol. Ambos se conocen en la jungla, cuando el rey del pueblo los expulsa. Vagando por la jungla encuentran al rey de los fantasmas, que les concede tres favores: poder conseguir siempre comida, tener libertad para ir a cualquier parte y la posibilidad de convertirse en músicos expertos capaces de hechizar a todo el mundo. Cuando los chicos oyen hablar de un concurso de música en el reino de Shundi, se dirigen allí para probar sus poderes.

Fecha de estreno
1969-05-08
TMDB
7.6 / 10 (27)
Duración
2 h 12 min
Géneros
Comedia, Música, Fantasía, Aventura, Familia
Director
Satyajit Ray
Colección
Goopy Bagha Trilogy

Reparto

Curiosidades

  • Premios: 2 · Nominaciones: 0. Incluyendo: National Film Award for Best Feature Film; National Film Award for Best Direction

Goopy Gyne Bagha Byne is a 1969 Bengali satirical superhero film written and directed by Satyajit Ray and based on a story by his grandfather Upendrakishore Ray Chowdhury. It is a fantasy musical, with music and lyrics composed and written by Ray himself. This is the first film of the Goopy–Bagha series, and there are two sequels – Hirak Rajar Deshe, which was released in 1980, and Goopy Bagha Phire Elo, written by Satyajit Ray but directed by his son Sandip Ray, which was released in 1992.

Production

Around 1967, Ray started toying with the idea of creating a film based on extra terrestrial creatures on Earth, and wrote a screenplay to that effect. Marlon Brando and Peter Sellers were supposed to star in lead roles in the film. However, things did not turn out well between him and Columbia Pictures, and the project was shelved. Unable to make a fantasy movie in Hollywood, Ray decided to make one in India instead.

The film's pivotal sequence was a six and a half-minute dance, divided into four numbers, performed by the ghosts of the forest in front of Goopy and Bagha. The numbers were intertwined into a phantasmagoria of contrasting styles and moods. Ray settled on four classes of ghosts keeping in line with the four common classes in the social hierarchy in Hinduism, "since we have so many class divisions, the ghosts should have the same".

Leer en Wikipedia · Texto de Wikipedia, CC BY-SA 4.0. Datos de Wikidata.

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