They Were Sisters (1945)
A dramatic and captivating account of the love story of three young girls and the intricacies of marriage.
The story of three sisters and the men they marry: one is happily married but childless, the second promiscuously escapes an unhappy, loveless marriage, and the third is tortured by the mental cruelties inflicted by a domineering husband.
- Date of release
- 1945-07-02
- TMDB
- 5.5 / 10 (9)
- Runtime
- 1h 50m
- Genres
- Drama
- Director
- Arthur Crabtree
Casting
- Phyllis Calvert — Lucy Moore
- James Mason — Geoffrey Lee
- Hugh Sinclair — Terry Crawford
- Anne Crawford — Vera Sargeant
- Peter Murray-Hill — William Moore
- Dulcie Gray — Charlotte Lee
- Barry Livesey — Brian Sargeant
- Pamela Mason — Margaret Lee
- Ann Stephens — Judith
- Helen Stephens — Sarah
- John Gilpin — Stephen
- Brian Nissen — John
Interesting facts
- Based on: They Were Sisters
They Were Sisters is a 1945 British melodrama film directed by Arthur Crabtree for Gainsborough Pictures and starring Phyllis Calvert and James Mason. The film was produced by Harold Huth, with cinematography from Jack Cox and screenplay by Roland Pertwee. They Were Sisters is noted for its frank, unsparing depiction of marital abuse at a time when the subject was rarely discussed openly. It was one of the Gainsborough melodramas.
Background
Unlike most of the hugely successful melodramas made by Gainsborough during the mid-1940s, They Were Sisters has a near-contemporary rather than a costume setting, spanning the years from the end of the First World War, to the late 1930s. The screenplay was developed by Pertwee from a popular novel of the same name by Dorothy Whipple, published in 1943.
They Were Sisters features the spouses of both Mason and Calvert; Pamela Mason (billed under her first married name Pamela Kellino, and playing Mason's daughter, despite being only seven years younger) and Peter Murray Hill. Mason later admitted that he acted most of his bullying, sadistic role with a permanent hangover as a result of his using drinking as a means of dealing with the frustration he felt from his role and the British film industry…
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