Fairy in a Cage

Fairy in a Cage (1977)

檻の中の妖精

Pendant la Seconde Guerre mondiale, le juge tyrannique Murayama utilise son pouvoir militaire pour emprisonner et torturer des innocents. Soupçonnée d'aider un mouvement anti-gouvernemental, la charmante Namiji Kikushima est capturée, ainsi qu'un acteur local de kabuki. Impuissants et incapables de s'échapper, les deux sont soumis à une série de tortures exténuantes, notamment le bondage et des agressions physiques. Alors que le juge et son assistant maléfique, Kayo se délectent de leurs fétiches pervers, une nouvelle recrue militaire qu'ils ont embauchée, Taoka, pourrait être la clé de la liberté des prisonniers. Il aime Namiji et fera ce qu'il peut pour l'aider, quitte à trahir pour organiser une évasion !

Date de sortie
1977-06-04
TMDB
5.4 / 10 (25)
Durée
1 h 10 min
Genres
Drame, Horreur
Réalisateur
小原宏裕

Distribution

Anecdotes

Fairy in a Cage aka Woman In a Cage is a 1977 Japanese pink film in Nikkatsu's Roman porno series, directed by Kōyū Ohara and starring Naomi Tani.

Production

Lead actresses Naomi Tani and Rei Okamoto had worked together previously in director Yasuharu Hasebe's Rape! (1976). Tani would work with director Ohara again in Fascination: Portrait of a Lady (1977), and Rope Hell (1978), which also reunited her with Hirokazu Inoue, one of her torturers from Fairy in a Cage.

In a review of the films of Kōyū Ohara for the journal Asian Cult Cinema, Graham R. Lewis notes that Ohara uses conflict between social classes as a theme in Fairy in a Cage. Both Lady Kikushima and Judge Murayama are members of the upper class, while Taoka, the new recruit ordered to torture Kikushima, is from the lower class.

In a 1998 interview, Tani recalled that one scene in Fairy in a Cage was more physically demanding than some of the more notorious ones in Lady Black Rose (1978), which were simple tricks. "The worst scenes," she said, "are the ones where I'm hung up-side-down and tortured with my legs spread, like in Fairy in a Cage... If you try to fake it by using a suspension brace, the thigh muscles won't show tension.

Jasper Sharp comments that one of the most interesting aspects of Fairy in a Cage, and films of its genre, are their use of "shameful and historically sensitive" aspects of the World War II-era in Japan as subjects for sexually oriented entertainment. He notes that this era would have been alive in the memories of many audience members at the time.

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