檻の中の妖精

檻の中の妖精 (1977)

暗黒の密室に異常な歓喜の喘ぎが！

西欧諸国に戦雲渦く頃、静かな日本を揺がす憲兵達の足音。鬼の憲兵・西崎中尉の分隊であった。この隊の田岡上等兵は、反戦分子の下島の探索をやり、その愛人・浪路の拷問を歓びの表情の中で行っていた村山男爵を知る。彼はＳＭ嗜好者で西崎中尉とも深いつながりを持っていた。やがて下島は逮捕され訊問で富豪の菊島夫人の名がもれ、西崎中尉の目は異様に光った。菊島夫人はただちに逮捕され村山男爵の館へ。男爵の館の地下室には拷問道具と鉄製の檻があった…。

公開日
1977-06-04
TMDB
5.4 / 10 (25)
上映時間（分）
1時間10分
ジャンル
ドラマ, ホラー
監督
小原宏裕

キャスト

豆知識

Fairy in a Cage aka Woman In a Cage is a 1977 Japanese pink film in Nikkatsu's Roman porno series, directed by Kōyū Ohara and starring Naomi Tani.

Production

Lead actresses Naomi Tani and Rei Okamoto had worked together previously in director Yasuharu Hasebe's Rape! (1976). Tani would work with director Ohara again in Fascination: Portrait of a Lady (1977), and Rope Hell (1978), which also reunited her with Hirokazu Inoue, one of her torturers from Fairy in a Cage.

In a review of the films of Kōyū Ohara for the journal Asian Cult Cinema, Graham R. Lewis notes that Ohara uses conflict between social classes as a theme in Fairy in a Cage. Both Lady Kikushima and Judge Murayama are members of the upper class, while Taoka, the new recruit ordered to torture Kikushima, is from the lower class.

In a 1998 interview, Tani recalled that one scene in Fairy in a Cage was more physically demanding than some of the more notorious ones in Lady Black Rose (1978), which were simple tricks. "The worst scenes," she said, "are the ones where I'm hung up-side-down and tortured with my legs spread, like in Fairy in a Cage... If you try to fake it by using a suspension brace, the thigh muscles won't show tension.

Jasper Sharp comments that one of the most interesting aspects of Fairy in a Cage, and films of its genre, are their use of "shameful and historically sensitive" aspects of the World War II-era in Japan as subjects for sexually oriented entertainment. He notes that this era would have been alive in the memories of many audience members at the time.

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