Nijinsky (1980)
A ballet dancer struggles with his homosexuality and the increasing allure of a young ballerina who seeks to draw him away from his domineering lover.
- Erscheinungsdatum
- 1980-03-20
- TMDB
- 4.9 / 10 (20)
- Laufzeit
- 2 Std. 9 Min.
- Genres
- Drama, Musik, Liebesfilm
- Regie
- Herbert Ross
Besetzung
- Alan Bates — Sergei Diaghilev
- George De La Pena — Vaslav Nijinsky
- Leslie Browne — Romola de Pulsky
- Carla Fracci — Tamara Karsavina
- Ronald Pickup — Igor Stravinsky
- Ronald Lacey — Leon Bakst
- Jeremy Irons — Mikhail Fokine
- Vernon Dobtcheff — Sergei Grigoriev
- Janet Suzman — Emilia Marcus
- Colin Blakely — Vassili
- Siân Phillips — Lady Ripon
- Frederick Jaeger — Gabriel Astruc
Wissenswertes
- Gedreht in: Pinewood Studios
Nijinsky is a 1980 American biographical film directed by Herbert Ross. Hugh Wheeler wrote a screenplay that explores the later life and career of Vaslav Nijinsky; it was based largely on the premier danseur's personal diaries, and her 1934 biography of Nijinsky, largely ghostwritten by Lincoln Kirstein, who later co-founded the New York City Ballet.
Production notes
Harry Saltzman purchased the rights in 1969 from film director Charles Vidor's widow. Saltzman had originally promised to let Ken Russell direct the film, but due to a falling out, Saltzman hired Tony Richardson to direct. The film was canceled during pre-production. After the success of Herbert Ross's ballet film The Turning Point, Saltzman approached Ross to direct; Ross was initially unenthusiastic.
This was Herbert Ross' second film to focus on the world of ballet. In his 1977 film he had worked with Mikhail Baryshnikov and other members of the American Ballet Theatre. Baryshnikov turned down the role of Vaslav Nijinsky as the American Ballet Theatre had promoted him to the role of artistic director.
Nijinsky was the film debut of Jeremy Irons. It was the second to last film produced by Harry Saltzman.
The Los Angeles Philharmonic Orchestra and the London Festival Ballet were featured in the dance sequences. David Hersey of the National Film Theatre in London designed the theatrical lighting in these scenes.
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