Nijinsky

Nijinsky (1980)

Genio. Loco. Animal. Dios. Nijinsky

Film basado en los diarios de Vaslav Nijinsky (George de la Peña), quien, entre 1909 y 1917, fue primer bailarín del legendario ballet ruso Diaghilev. Primero como bailarín y luego como coreógrafo, Nijinsky escandalizó a un público demasiado acostumbrado a los convencionalismos del siglo XIX, con su interpretación de obras como “El espectro de la rosa” (Fokine), “Scheherezade” (Rimsky-Korsakov), “Petrushka” (Stravinski), “La siesta de un fauno” (Debussy), o “La consagración de la primavera” (Stravinski). En todas ellas dejó su provocadora e innovadora huella. Entre 1912 y 1913, vivió un conflictivo triángulo amoroso que repercutió de manera trágica tanto en su vida profesional como personal. Mantuvo una larga relación laboral y amorosa con Diaghilev (Alan Bates), el posesivo y celoso director del Ballet Ruso; pero, cuando se enamoró de Romola de Pulsky (Leslie Browne), dejó a Diaghilev para casarse con ella. Éste, despechado, hizo uso de toda su influencia para perjudicarlo.

Fecha de estreno
1980-03-20
TMDB
4.9 / 10 (20)
Duración
2 h 9 min
Géneros
Drama, Música, Romance
Director
Herbert Ross

Reparto

Curiosidades

  • Rodada en: Pinewood

Nijinsky is a 1980 American biographical film directed by Herbert Ross. Hugh Wheeler wrote a screenplay that explores the later life and career of Vaslav Nijinsky; it was based largely on the premier danseur's personal diaries, and her 1934 biography of Nijinsky, largely ghostwritten by Lincoln Kirstein, who later co-founded the New York City Ballet.

Production notes

Harry Saltzman purchased the rights in 1969 from film director Charles Vidor's widow. Saltzman had originally promised to let Ken Russell direct the film, but due to a falling out, Saltzman hired Tony Richardson to direct. The film was canceled during pre-production. After the success of Herbert Ross's ballet film The Turning Point, Saltzman approached Ross to direct; Ross was initially unenthusiastic.

This was Herbert Ross' second film to focus on the world of ballet. In his 1977 film he had worked with Mikhail Baryshnikov and other members of the American Ballet Theatre. Baryshnikov turned down the role of Vaslav Nijinsky as the American Ballet Theatre had promoted him to the role of artistic director.

Nijinsky was the film debut of Jeremy Irons. It was the second to last film produced by Harry Saltzman.

The Los Angeles Philharmonic Orchestra and the London Festival Ballet were featured in the dance sequences. David Hersey of the National Film Theatre in London designed the theatrical lighting in these scenes.

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