Whisky a gogó (1949)

Curiosidades

Whisky Galore! is a 1949 British comedy film produced by Ealing Studios, starring Basil Radford, Bruce Seton, Joan Greenwood and Gordon Jackson. It was the directorial debut of Alexander Mackendrick; the screenplay was by Compton Mackenzie, an adaptation of his 1947 novel Whisky Galore, and Angus MacPhail. The story—based on a true event, the running aground of the SS Politician—concerns a shipwreck off a fictional Scottish island, the inhabitants of which have run out of whisky because of wartime rationing. The islanders find out the ship is carrying 50,000 cases of whisky, some of which they salvage, against the opposition of the local Customs and Excise men.

Production

Whisky Galore! was produced by Michael Balcon, the head of Ealing Studios; he appointed Monja Danischewsky as the associate producer. Danischewsky had been employed in the studio's advertising department, but was becoming bored by the work and was considering a position in Fleet Street; Whisky Galore! was his first job in production.

The screenplay was written by Compton Mackenzie and Angus MacPhail, based on Mackenzie's novel; Mackenzie received £500 for the rights to the book and a further £1,000 because of the film's profitability. Mackendrick and Danischewsky also worked on the script before further input from the writers Elwyn Ambrose and Donald Campbell and the actor James Robertson Justice, who also appeared in the film.

The plot underwent some modification and condensation from the novel, a lot of the background being removed; in particular, much of the religious aspect of the novel was left out, the novel's Protestant Great Todday and Roman Catholic Little Todday being merged into the single island of Todday.

Alastair Sim was offered the role of Joseph Macroon in the film, but turned it down to avoid being typecast as "a professional Scotsman". It had been Mackenzie's ambition to appear in a film, and he was given the role of Captain Buncher, the master of SS Cabinet Minister, as Politician was renamed in the book and film.

In May 1950 the British Film Institute's monthly publication, Sight & Sound, estimated the film's budget to be around £100,000. The following month, Balcon wrote to the magazine to complain that "Your estimate of the cost is wrong by more than a thousand or two". He also stated in his letter that the film "over-ran its budget by the unprecedented figure of 60 per cent to 70 per cent".

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