我们俩

我们俩 (2006)

Xiaoma, a young woman who has recently moved to Beijing, finds an apartment in an old courtyard apartment complex owned by Grandma, an elderly woman. Xiaoma and Grandma’s relationship almost immediately becomes strained. After trying to tidy up the courtyard, Grandma insists that Xiaoma turn over her share of the profits. Tightfisted, the elderly landlady resists even allowing Xiaoma to install a telephone. At the same time the older woman becomes increasingly interested in Xiaoma’s personal (and romantic) life. Grandma, for example, tries to pass off her grandson to the younger woman. Annoyed, Xiaoma nevertheless is flattered at the older woman’s concern. Over the course of four seasons, Xiaoma begins to learn from her landlady of the old world that the modern city of Beijing has left behind, while Grandma begins to enjoy the youth and vitality of her tenant. The two women become closer and eventually develop a deep friendship.

개봉일
2006-03-03
TMDB
7.1 / 10 (22)
상영 시간(분)
1시간 23분
장르
드라마
감독
Ma Liwen, Jiang Ming

출연진

흥미로운 사실

You and Me is a 2005 Chinese film by writer-director Ma Liwen. The film, shot on a shoe-string budget, tells the story of a young woman who moves into an apartment run by a tough elderly woman. Their relationship, initially cold and hostile, soon develops into friendship over the course of four seasons. The film premiered at numerous international festivals, notably the 2005 Tokyo International Film Festival and the 2006 Berlin International Film Festival. The film was produced through the China Film Group and the Beijing Film Studio.

Production

The film's story is based in part on director Ma Liwen's own experiences upon moving from Jiangxi to Beijing in the 1990s. Like the protagonist, Ma also moved into an old siheyuan style apartment owned by an elderly woman. Also like the film, Ma and her landlady initially clashed, though they eventually became friends. When her landlady died, Ma was filled with remorse leading eventually to her making You and Me.

I used probably the most thickheaded method to shoot the four seasons. Meanwhile, the

story may be one of my own but it also has a universal theme. I aimed at showing the

grandeur that arises from the trivial, instead of showing the trivial that arises from

grandeur. This film was the result of my own experiences, yet it's still not so easy to

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