Лезвие ведьм

Лезвие ведьм (2000)

Witchblade

Лезвие ведьм — такое имя носит красивый браслет с горящим камнем, что наливается светом при виде врага, и превращается в смертельное оружие, когда его хозяйке грозит опасность. Он уже много веков сам выбирает себе хозяйку. Женщина, которой достался браслет, должна обладать магическими способностями и обостренным чувством справедливости. Когда лезвие ведьм оказывается на тонкой руке нью-йоркской женщины-полицейского Сары Пеццини, мафии не стоит строить планы на будущее!

Дата выхода
2000-08-27
TMDB
5.8 / 10 (29)
Длительность
1 ч 34 мин
Жанры
телевизионный фильм, боевик, фэнтези, детектив
Режиссёр
Ralph Hemecker

В ролях

Интересные факты

  • Основан на: Witchblade
  • Места съёмок: Торонто

Witchblade is a made-for-television live-action superhero film adapted from the comic book by Marc Silvestri and Top Cow Productions. Set in contemporary New York City, the occult police drama centers on Sara Pezzini, a brooding and willful homicide detective who is the reluctant inheritor of an ancient, symbiotic weapon that grants her superhuman powers.

Production

In April 1998, Turner Network Television announced plans for the two-hour live-action feature film, Witchblade, to premiere in early 1999 as part of the cable network's significant increase in original programming. The film was to be the pilot for an hour-long TNT series that would be filmmaker Oliver Stone's first drama series for television.

Executive producer Stone had taken Top Cow's project to Warner Bros. Television, which agreed to finance development and took Witchblade to TNT, a sister company in the Time-Warner family.

In October 1999, the pilot film was still in development with Stone's company, Illusion Entertainment,

but when filming began in February 2000, Stone was no longer attached to the Witchblade project. Instead, Witchblade was executive produced by Dan Halsted, Stone's former partner, and Top Cow Productions' Marc Silvestri.

Executive producer Marc Silvestri explained Stone's departure during the production: "As with all things Hollywood it was several train wrecks that somehow made it to the station. Honestly, it amazes me how anything gets produced at all". Silvestri attributed Stone's departure to a creative dispute with TNT.

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