豺狼时刻 (1968)
Vargtimmen
狼时，是介于黑夜与黎明之间的时刻。此时大多数人离世，睡眠最为深沉，噩梦也最为真实。
这是个诡异的故事，画家约翰和妻子艾尔玛居住在荒凉的孤岛上，画家经常为怪诞的梦境困扰，醒来他总是将梦境绘在速写本上。妻子有天碰到了一个精灵般的老婆婆，催促她去读约翰的日记，看后她发现了丈夫的秘密，后来，日记里描绘的城堡主人梅堪约他们做客，在城堡里艾尔玛发现了这些人曾经出现在丈夫的速写本上。回家路上，艾尔玛恳求丈夫远离那些人，而画家一言不发走了。回到家中画家对妻子承认在悬崖边杀害过一个孩子，第二天，城堡里神秘的访客再度约翰的家，并诱惑约翰再次来的城堡，看见了恶魔的仪式也陷入无法自拔的境地，而城堡外艾尔玛徒劳寻找着约翰，但是，她找到的是他的遗物，却永远失去了他。
演员阵容
- 马克斯·冯·西多 — Johan Borg
- 丽芙·乌曼 — Alma Borg
- Gertrud Fridh — Corinne von Merkens
- Georg Rydeberg — Lindhorst
- 厄兰·约瑟夫森 — Baron von Merkens
- 奈玛·维夫斯特兰德 — Old Lady with Hat
- 乌尔夫·约翰松 — Heerbrand
- Gudrun Brost — Gamla Fru von Merkens
- Bertil Anderberg — Ernst von Merkens
- 英格丽德·图林 — Veronica Vogler
- Agda Helin — Von Merken's Maid (uncredited)
- Lenn Hjortzberg — Kreisler (uncredited)
趣闻
Hour of the Wolf is a 1968 Swedish psychological horror film directed by Ingmar Bergman and starring Max von Sydow and Liv Ullmann. The story explores the disappearance of fictional painter Johan Borg, who lived on an island with his wife Alma (Ullmann) while plagued with frightening visions and insomnia.
Production
Inspirations for the story included Bergman's recurring nightmares, featuring a woman who took off her own face and an entity that walked on ceilings. Johan's description of being locked in a closet as a boy was based on Bergman's childhood. An external influence was Wolfgang Amadeus Mozart's The Magic Flute, with the opera's character Papageno transformed into an evil Birdman.
Elements of the story also originated from Bergman's manuscript The Cannibals or The Maneaters, which he finished in 1964 and planned to shoot on Hallands Väderö. Bergman abandoned The Cannibals due to pneumonia, after which he wrote and directed Persona instead. Following Persona, he decided to make a reworked version of The Cannibals, under the new title Hour of the Wolf.
According to Professor Birgitta Steene, the title is drawn from Swedish folklore, where the "hour of the wolf" refers to the period from 3 a.m. to 5 a.m., supposedly when the most deaths and births occur. Folklorist Bengt af Klintberg recalled that in 1964, Bergman tasked theatre manager Niklas Brunius to research legend about the hour, and Brunius asked Klintberg about it; Klintberg found the term had no roots in Swedish folklore, though there w…
During the latter stages of post-production of Persona in 1966, Bergman held a meeting to begin planning Hour of the Wolf. He later said the film builds on Persona: Hour of the Wolf is seen by some as a regression after Persona. It isn't that simple. Persona was a breakthrough, a success that gave me the courage to keep on searching along unknown paths. ...
Bergman had planned to cast Bibi Andersson and Liv Ullmann in The Cannibals, having met Ullmann through his regular collaborator Andersson on a Stockholm street. Ullmann placed the meeting in 1964, and said that Bergman recognized her and asked her on the spot if she would like to work with him. Ullmann later became Bergman's lover and became pregnant with their daughter Linn.
在维基百科阅读更多 · 文本来自维基百科，CC BY-SA 4.0。数据来自 Wikidata。