Vu du pont (1962)
Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two brothers, illegal immigrants, Marco and Rodolpho. Catherine falls in love with Rudolpho; and Eddie, tormented but unable to admit even to himself his quasi-incestuous love, reports the illegal immigrants to the authorities.
- Erscheinungsdatum
- 1962-01-19
- TMDB
- 6.3 / 10 (13)
- Laufzeit
- 1 Std. 50 Min.
- Genres
- Drama
- Regie
- Sidney Lumet
Besetzung
- Raf Vallone — Eddie Carbone
- Maureen Stapleton — Beatrice Carbone
- Carol Lawrence — Catherine
- Jean Sorel — Rodolpho Paccia
- Raymond Pellegrin — Marco Paccia
- Morris Carnovsky — Mr. Alfieri
- Harvey Lembeck — Mike
- Mickey Knox — Louis
- Vincent Gardenia — Lipari
- Frank Campanella — Longshoreman (Sam)
Wissenswertes
- Gedreht in: New York City
A View from the Bridge is a 1962 drama film directed by Sidney Lumet, based on the Arthur Miller play of the same name. The film was an international co-production between French and Italian studios, with exteriors shot on-location in Brooklyn and interiors filmed in Paris, France. It was written for the screen by Norman Rosten and Jean Aurenche, and stars Raf Vallone as Eddie Carbone, Maureen Stapleton as Beatrice, Carol Lawrence as Catherine, Jean Sorel as Rodolpho, Raymond Pellegrin as Marco, and Morris Carnovsky as Alfieri.
Production
A View from the Bridge was filmed in separate English and French versions. Its exterior sequences were filmed on-location on the waterfront of Brooklyn, New York, where the play and the film take place. The interiors were shot at a studio in Paris, France. It was Sidney Lumet's first time directing a film outside the United States.
The film was the first time that a kiss between men was shown on screen in America, in the sequence in which an intoxicated Eddie Carbone kisses his wife Beatrice's male cousin Rodolfo in an attempt to demonstrate the latter's alleged homosexuality. However, this overture was intended as an accusation of someone being gay, rather than a romantic expression.
Unlike the play, in which Eddie is stabbed to death with his own knife in a scuffle with his wife Beatrice's cousin Marco toward the end, in the film Eddie commits suicide by plunging a cargo hook into his chest.
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