Daisy Kenyon

Daisy Kenyon (1947)

These Three Together... IN A LOVE ONLY TWO CAN SHARE!

Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer and family man named Dan O'Mara. Daisy meets a single man, a war veteran named Peter Lapham, and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.

Date of release
1947-12-25
TMDB
6.6 / 10 (55)
Runtime
1h 39m
Genres
Drama, Romance
Director
Otto Preminger

Casting

Interesting facts

Daisy Kenyon is a 1947 American romantic-drama film by 20th Century Fox starring Joan Crawford, Henry Fonda, and Dana Andrews in a story about a post-World War II romantic triangle. The screenplay by David Hertz was based upon a 1945 novel of the same name by Elizabeth Janeway. The film was directed and produced by Otto Preminger. Having opened to restrained reception, Daisy Kenyon has seen reappraisal, and now enjoys a minor cult following for its realistic treatment of a typically melodramatic plot.

Production

The rights to Elizabeth Janeway's novel were purchased by 20th Century Fox for $100,000 in 1945. Joan Crawford had intended to buy the rights for herself, but failed to bid before Fox. An unfinished first draft of the screenplay was written in August by Margaret Buell Wilder and Ted Sills before Hertz was brought in to write a second draft. Ring Lardner Jr., who had written the script for Laura, was hired to revise Hertz's draft in 1947.

Gene Tierney, who had starred in Preminger's 1944 film Laura, and Jennifer Jones, who had been considered for Tierney's role in that film, were both considered for the part of Daisy Kenyon in 1945 and 1946, respectively, before Crawford was allowed to be "borrowed" from her contract with Warner Bros. The casting of Crawford was somewhat problematic, as she was 42, while the character of Daisy as depicted in the novel is 32.

Production of the film was completed without setback, two days ahead of schedule and only $100 over the set budget. Ruth Warrick stated that Preminger "carried himself like an army officer, and behaved like a general moving the troops." Warrick also commented on the amicable relationship of the director and his lead star, saying "With Otto and Joan, we had two tyrants on the set, and that may have kept both of them in line." The only apparent pro…

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