திருவிளையாடல் (1965)
The Hindu god Shiva gives a sacred mango fruit, brought by the sage Narada, to his elder son Vinayaka as a prize for outsmarting his younger brother Muruga in a competition. Angry with his father, Muruga leaves home for Palani. He meets Avvaiyar, one of his devotees, along the way. Despite her attempts to convince Muruga to return to Mount Kailash, he remains adamant about his decision to leave his family. His mother, the goddess Parvati, arrives there and tells the stories of four of Shiva's divine games to calm Muruga.
- Data di uscita
- 1965-07-31
- TMDB
- 7.6 / 10 (9)
- Durata
- 2 h 34 min
- Generi
- Fantasy
- Regista
- A. P. Nagarajan
Cast
- Sivaji Ganesan — Lord Shiva in Different Disguises
- முத்துராமன் — Shenbaga Pandiyan
- Savitri — Goddess Parvathi in Different Disguises
- Nagesh — Tharumi
- Manorama — Ponni
- T. S. Balaiah — Hemanatha Bagavathar
- Devika — Wife of Shenbaga Pandiyan
- T. R. Mahalingam — Bana Bathirar
- A. P. Nagarajan — Natkeerar
- K. B. Sundarambal — Avvaiyar
- O. A. K. Thevar — King Dhatchan
- A. Karunanidhi — Ponna/Sovai
Curiosità
Thiruvilaiyadal is a 1965 Indian Tamil-language Hindu mythological film written, directed and co-produced by A. P. Nagarajan. The film stars Sivaji Ganesan, Savitri, and K. B. Sundarambal, with T. S. Balaiah, R. Muthuraman, Nagesh, T. R. Mahalingam, K. Sarangapani, Devika, Manorama, and Nagarajan in supporting roles. K. V. Mahadevan composed the film's soundtrack and score, and Kannadasan and Sankaradas Swamigal wrote the song lyrics.
Production
In 1965, after the critical and commercial success of Navarathri (1964), its director A. P. Nagarajan and producer A. M. Shahul Hameed came together to make a film entitled Siva-Leela, later retitled Thiruvilaiyadal. It was inspired by the Thiruvilaiyadal Puranam, a collection of sixty-four 16th-century Shaivite devotional epic stories by Paranjothi Munivar, which describe the actions (and antics) of Shiva on Earth in a number of disguises to tes…
Four of the Thiruvilaiyadal Puranam's stories are depicted in the film, including the story where the Tamil poet Nakkeerar confronts Shiva over an error in his poem, exaggerating his sensitivity to the right and the wrong. Nagarajan had previously used this story as a play within a film in K. Somu's Naan Petra Selvam (1956).
Sivaji Ganesan was cast as Shiva, and Savitri as the goddess Parvati. R. Rangasamy did the make-up for Ganesan, and Savitri was given green make-up to portray her character. K. B. Sundarambal was chosen to play Avvaiyar, reprising her role in the 1953 film of the same name. Nagesh was cast as Dharumi, and had a call sheet of one-and-a-half days to finish his portion. Besides directing, producing and writing, Nagarajan appeared as Nakkeerar. M.
We had to talk as we walked. We could not break up the dialogues for our convenience as that would slow down the tempo of the shot. We had such a degree of understanding that we enacted the scene with immaculate timing and with the required expressions in one continuous shot.
Thiruvilaiyadal was shot on a custom-built set at Vasu Studios in Madras (now Chennai). It was filmed in Eastmancolor, thereby making it Nagarajan's first picture to be shot in colour. Before he began filming, Nagesh learned that Ganesan's arrival was delayed because his make-up had not been completed; he asked Nagarajan whether they could film any solo sequences, which included a scene where Dharumi laments his misfortune in the Meenakshi Amman…
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