马太福音 (1965)
Il vangelo secondo Matteo
一部将被全世界观看的电影——直至世界尽头！
当人民的苦难不断加深之时，上帝将他的儿子耶稣（Enrique Irazoqui 饰）送到人间。受到感召，少女玛丽亚（Margherita Caruso 饰）以处子之身生下耶稣，并与未婚夫约瑟（Marcello Morante 饰）一同将其养大。耶稣如此钟爱世人，他通过各种神迹引导人们诚心向善，他的信徒和追随者越来越多。然而世界已然腐朽，贪婪残暴占据统治地位。那些忘掉廉耻的统治者决定除掉这个来自天堂的圣子……
- 上映日期
- 1965-03-03
- TMDB
- 7.4 / 10 (429)
- 片长（分钟）
- 2小时17分钟
- 类型
- 剧情
- 导演
- 皮埃尔·保罗·帕索里尼
演员阵容
- Enrique Irazoqui — Cristo
- Margherita Caruso — Maria (Giovane)
- Susanna Pasolini — Maria (Vecchia)
- Marcello Morante — Giuseppe
- Mario Socrate — Giovanni Battista
- Settimio Di Porto — Pietro
- Alfonso Gatto — Andrea
- Luigi Barbini — Giacomo
- Giacomo Morante — Giovanni
- Giorgio Agamben — Filippo
- Guido Cerretani — Bartolomeo
- Guido Cerretani — Bartolomeo
趣闻
- 改编自：馬太福音
- 拍摄地：巴斯利卡塔、卡塔尼亞、克羅托內和普利亚
- 获奖：1 · 提名：3. 包括：威尼斯影展評審團特別獎
The Gospel According to St. Matthew is a 1964 epic biblical drama film, written and directed by Pier Paolo Pasolini. It is a cinematic rendition of the story of Jesus according to the Gospel of Matthew, from the Nativity through the Resurrection.
Production
According to Barth David Schwartz's book Pasolini Requiem (1992), the impetus for the film took place in 1962. Pasolini had accepted Pope John XXIII's invitation for a new dialogue with non-Catholic artists, and subsequently visited the town of Assisi to attend a seminar at a Franciscan monastery there. The papal visit caused traffic jams in the town, leaving Pasolini confined to his hotel room; there, he came across a copy of the New Testament.
Pasolini had the idea to not reproduce exactly a historic, casual Christ, but rather projecting the present-day society of southern Italy onto that figure, a Christ after 2,000 years of narrative build-up. As he explained,
Along with this method of reconstruction by analogy, we find the idea of myth and epics [...] so when narrating the history of Christ, I did not reconstruct Christ such as he actually was. If I had reconstructed Christ's history as it actually was, I would not have made a religious film, since I am not a believer. I do not think Christ was God's son.
The film was dedicated to John XXIII. The announcement at the opening credits reads that it is "dedicato alla cara, lieta, familiare memoria di Giovanni XXIII" ("dedicated to the dear, joyous, familiar memory of Pope John XXIII"). Pasolini was particularly critical with the new Pope Paul VI (1963), at a moment when he was drafting a storyboard for a follow-up to the film, this time on Paul the Apostle.
The film was co-produced by Arco Films and French company Lux Compagnie Cinématographique.
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