三个火枪手 (2013)
Три мушкетёра
Young d'Artagnan comes to Paris to be a musketeer. There, he meets three old musketeers, members of the glorious King's Guard, but actually realizes that they are not the great fighters who he thinks they are. While joining the musketeers he is faced with the hidden plots of Cardinal Richelieu, his spy Milady de Winter, and a possible war against England.
- 上映日期
- 2013-11-13
- TMDB
- 3.9 / 10 (11)
- 片长（分钟）
- 1小时52分钟
- 类型
- 冒险, 喜剧
- 导演
- Сергей Жигунов
演员阵容
- 林奈·穆罕默托夫 — д'Артаньян
- Юрий Чурсин — Атос
- Алексей Макаров — Портос
- Павел Баршак — Арамис
- 叶卡捷琳娜·维柯娃 — миледи
- Анна Старшенбаум — Констанция Бонасье
- Василий Лановой — кардинал Ришелье
- Филипп Янковский — Людовик XIII
- 康斯坦丁·拉夫罗年科 — герцог Бекингэм
- Мария Миронова — Анна Австрийская
- Владимир Зайцев — Рошфор
- Александр Лыков — де Тревиль
趣闻
- 预算：US$1200万
- 改编自：三劍客
- 拍摄地：捷克和佩恩施泰因城堡
The Three Musketeers is a 2013 Russian historical adventure film based on the 1844 novel The Three Musketeers by Alexandre Dumas, père. It was produced by The Production Center of Sergei Zhigunov.
Production
According to director Sergey Zhigunov, "I tried to collect an ensemble of artists of high level (I do not have time and effort to educate people on the site), known but which are old-old in the audience. People are very tired of the actors, who are always filming in TV series, ordinary people start to cause irritation".
At one point, there were reference to the previous Soviet-musical telefilm; with Mikhail Boyarsky cast as the role of D'Artagnan, a father, but according to Zhigunov, "then we have decided that it is wrong – mix so that old movie that still viewers are watching with pleasure, and our, new. It will be a completely different".
According to Zhigunov, while casting they tried not to follow the rumors: for example, while they learning from the tabloids that "Anastasia Zavorotnyuk will be cast as Constance" he said that he "almost fainted. Wildly funny and absurd about the rumor.
Sergei Zhigunov wrote the script, and he is the director and producer. In his words: "I am very respectful attitude to Dumas, his books live hundreds of years, so do not allow yourself to take liberties with the plot. I did not touch him, but strongly worked on dialogue, painted a more detailed story lines, characters endowed with new features. The result was a dynamic history, adapted to the perception of the modern viewer.
Unlike previous adaptations of the project, he said that "We care about the fact that it was written by the author. Therefore, we have retained the basic plot lines and motifs, but changed the structure of the relationships between the characters. Added pace and rhythm, adapted stories by today's audience... We have developed a line of Mrs.
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