Perspective (2011)
In a Dystopian Future, the real merges with virtual. And now, you, how much you are you anymore? This is now your Simulation! Your Perspective!...
- 개봉일
- 2011-03-28
- TMDB
- 5.5 / 10 (4)
- 상영 시간(분)
- 8분
- 장르
- SF
- 감독
- Mehmet Can Kocak
출연진
- Mehmet Can Kocak — Future Hobo
- İlhan Şen — Shell 001
- Nazım Çınar — Cyberpimp
흥미로운 사실
Perspective is an episodic drama film from Canada written and directed by B. P. Paquette and starring Stéphane Paquette, Patricia Tedford, and Pandora Topp in a love triangle. The film is divided into nine chapters, shot over nine years, that span nine years in the lives of three characters named “Alex”. The nine chapters, titled, respectively, Chapter 1: Salt & Soda (2012), Chapter 2: Chris and Other Beards (2013), Chapter 3: Hush, hsuH (2014), Chapter 4: Reflecting (2015), Chapter 5: Triangulation (2016), Chapter 6: The Saddest Lines (2017), Chapter 7: Me, Myself, and I (2018), Chapter 8: Marital Accumulation (2019), and Chapter 9: The Shed of Theseus (2020) have been completed and present…
Production history
Subtitled Variations on a Love Triangle in 9 Chapters, Perspective is unique in that it is a feature-length fiction film that started in 2012, and continued to evolve until its completion in 2020. Every year a new chapter of the film was presented exclusively at Cinéfest until the project was complete. Each chapter runs approximately 15 to 30 minutes, with the completed film running 179 minutes.
Shot and set in Northern Ontario, the film features music and sound design (the onscreen credit states "soundscapes") by Daniel Bédard, picture editing by Ernest Riffe, and cinematography by Ivan Gekoff.
B. P. Paquette employed Perspective as a teaching tool for his film production students in the Motion Picture Arts program at Thorneloe University. "It was to encourage the students that they don't need millions of dollars, big movie stars and huge crews to make a feature-length film," said Paquette.
In each chapter of the film, the three actors rotate which roles they play. According to Paquette, “We’re not letting the audience identify a character with an actor... So, at all times, all of the actors are all of the characters.”
위키백과에서 더 읽기 · 텍스트 출처: 위키백과, CC BY-SA 4.0. 데이터 출처: Wikidata.
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