ભવની ભવાઈ (1981)
In a drought-stricken city in India, the emperor Maharaja Dhiraj Chandrasen, who has two wives, and no children, orders all kinds of rituals to appease the Rain Gods
- Data di uscita
- 1981-01-09
- TMDB
- 4.9 / 10 (8)
- Durata
- 2 h 15 min
- Generi
- Dramma
- Regista
- Ketan Mehta
Cast
- स्मिता पाटिल — Ujam
- Naseeruddin Shah — King Chakrasen
- Mohan Gokhale — Jeevla / Raj Kumar
- Om Puri — Maanav Bhagat
- Dina Pathak — Dhuli
- Benjamin Gilani — Prime Minister
- Nalin Dave
- Gopi Desai — Rangli
- Suhasini Mulay — Younger Queen
- Kalilash Pandya
- Nimesh Desai — Ranglo
Curiosità
Bhavni Bhavai is a 1980 Gujarati film directed by Ketan Mehta, starring Naseeruddin Shah, Om Puri, Smita Patil, Mohan Gokhale, Benjamin Gilani. It tells the story of untouchability through folklore and Bhavai.
Production
After graduating from the Film and Television Institute of India, Ketan Mehta was working for a satellite channel. Through his travels in villages, he came across the problems faced by rural population, specifically untouchability. He also came across Dhiruben Patel's play Bhavni Bhavai, — which back then was performed as a Bhavai — and decided to turn it into a movie. He was also inspired by Achhutno Vesh, a Bhavai performance.
Naseeruddin Shah initially declined the role, because of his previous experience of working with Ketan Mehta, when the latter directed Eugène Ionesco's play The Lesson for him. Ketan Mehta persisted and Naseeruddin finally agreed to do it because of his liking for the film, though he was hesitant about playing the role of a "Bumbling Raja".
Ketan Mehta filmed Bhavni Bhavai with distancing effect and the use of comic characters. Hence, the film is dedicated to Bertolt Brecht and Goscinny, the creator of Astérix. It is also dedicated to the inventor of the Bhavai, Asaita Thakar, who was a Brahmin outcast and lived among the lower caste communities. The Bhavai evolved into one of India's most energetic folk music and dance-dramas.
The chief theme of the film is struggles of Harijans. The film also presents a medieval story in modern ways. Instead of linear story, it has a circular structure.
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