கப்பலோட்டிய தமிழன் (1961)
Chidambaram Pillai, a revolutionary leader, starts the first shipping company in India. With the help of this company, he fights against the monopoly of the British over maritime trade out of India.
- Erscheinungsdatum
- 1961-01-31
- TMDB
- 7.0 / 10 (3)
- Laufzeit
- 3 Std. 17 Min.
- Genres
- Historie, Drama
- Regie
- B. Ramakrishnaiah Panthulu
Besetzung
- Sivaji Ganesan — Va. Vu. Chidambaram Pillai
- Savitri — Kannamma
- Gemini Ganesan — Madasami
- Kumari Rukmini — Meenakshi Ammal
- T. K. Shanmugam — Subramaniya Siva
- எஸ். வி. சுப்பையா — Subramania Bharathiyar
- K. Balaji — Vanchinathan
- Chittoor V. Nagayya — Ulaganathan Pillai
- டி. எஸ். துரைராஜ் — Sangan
- A. Karunanidhi — Mannarsami
- N. N. Kannappa — Meenakshisundaram
- M. R. Santhanam — Aid Ekambaram
Wissenswertes
Kappalottiya Thamizhan is a 1961 Indian Tamil-language historical drama film produced and directed by B. R. Panthulu. The film stars Sivaji Ganesan, Gemini Ganesan and Savitri. It is based on the 1944 book of the same name by M. P. Sivagnanam, a biography of V. O. Chidambaram Pillai who founded the Swadeshi Stream Navigation Company to break the monopoly of the British over maritime trade out of India.
Production
On 14 January 1960, Kappalottiya Thamizhan, a biopic of V. O. Chidambaram Pillai, was announced, to be produced and directed by B. R. Panthulu under Padmini Pictures. The film is based on the 1944 book of the same name by M. P. Sivagnanam, a biography of Chidambaram Pillai.
Sivaji Ganesan was hesitant to do the role of Chidambaram Pillai as he doubted whether he could perform the role flawlessly, but later accepted and studied various material to understand Chidambaram Pillai. S. V. Subbaiah was cast as the poet Subramania Bharati alias Bharathiyar, taking inspiration from his role as Kavi Anandar from the play Kaviyin Kanavu (1945). V.
According to historian S. Theodore Baskaran, there is no evidence of any research undertaken for making the film. He stated that the film had no props, apart from the character's costumes and the female characters' ear-lobes, which were done to create a "period effect". Though then known for his theatrical-style acting, Ganesan tried acting naturally during the prison sequences and his character's trauma of disillusionment.
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