边境小镇 (1935)
Bordertown
一场关于爱与救赎的谋杀。
演员阵容
- Paul Muni — Johnny Ramirez
- 贝蒂·戴维斯 — Mrs. Marie Roark
- Margaret Lindsay — Dale Elwell
- Eugene Pallette — Charles 'Charlie' Roark
- Robert Barrat — Padre
- Soledad Jiménez — Mrs. Ramirez
- Hobart Cavanaugh — Harry
- Gavin Gordon — Brook Manville
- William B. Davidson — Dr. Carter
- Vivian Tobin — Mrs. Garner
- Oscar Apfel — Judge Rufus Barnswell
- 韦德·博特勒 — Man Wanting to Buy Roark's Casino
趣闻
Bordertown is a 1935 American drama film directed by Archie Mayo and starring Paul Muni and Bette Davis. The screenplay by Laird Doyle and Wallace Smith is based on Robert Lord's adaptation of the 1934 novel Border Town by Carroll Graham. The supporting cast features Margaret Lindsay, Eugene Pallette and Robert Barrat. Although the films They Drive by Night (1940) and Blowing Wild (1953) are not specifically remakes of Bordertown, they include many of its plot elements and similar scenes.
Production
Bordertown was one of the first films to come under the close scrutiny of the Hays Office, which finally was enforcing the Motion Picture Production Code introduced in 1930 to limit content seen as controversial or salacious. In the original script, Johnny Ramirez was disbarred for committing murder and had an affair with Marie Roark, two plot elements that had to be revised before the screenplay was approved.
Leading man Paul Muni wanted either Carole Lombard or Lupe Vélez as his co-star, but after hearing the positive feedback his contract player Bette Davis was receiving for her performance in Of Human Bondage, which was in production at RKO, studio head Jack L. Warner decided to cast her in the role of Marie Roark. "The part of Marie was an excellent acting part - a step in the direction of where I wanted my career to go", Davis later recalled.
After murdering her husband, Marie undergoes a gradual mental deterioration, culminating in a collapse in the courtroom. Director Archie Mayo expected Davis to deliver a histrionic performance, but the actress, whose own sister suffered from a mental disorder, insisted a subtle portrayal of the breakdown was more appropriate and accurate.
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