Baby Love (1969)
Would you give a home to a girl like Luci?
Following the suicide of her mother, an emotionally disoriented schoolgirl is swept away to live in the countryside by wealthy family friends. Her entangled need for comfort and desire to explore her powers of sexual fascination soon embroils the entire household.
- Date of release
- 1969-03-19
- TMDB
- 5.1 / 10 (24)
- Runtime
- 1h 33m
- Genres
- Drama
- Director
- Alastair Reid
Casting
- Diana Dors — Liz Thompson
- Linda Hayden — Luci Thompson
- Troy Dante — The Lover
- Ann Lynn — Amy Quayle
- Sheila Steafel — Tessa Pearson
- Dick Emery — Harry Pearson
- Keith Barron — Robert Quayle
- Derek Lamden — Nicholas 'Nick' Quayle
- Patience Collier — Mrs. Carmichael
- Sally Stephens — Margo Pearson
- Timothy Carlton — Jeremy
- Christopher Witty — Jonathan
Interesting facts
Baby Love is a 1969 British drama film directed by Alastair Reid and starring Diana Dors, Linda Hayden, Keith Barron and Ann Lynn. It was written by Reid, Guido Coen and Michael Klinger, based on the 1968 novel Baby Love by Tina Chad Christian.
Production
The film was based on the debut novel by Tina Chad Christian. Film rights were bought by producer Michael Klinger, who had just left Compton, a production company he had run with Tony Tenser. Baby Love would be his first movie as an independent producer.
The first director attached was Henri Safran. Linda Hayden was cast after an extensive talent search. She was only fifteen years old and had to do her screen test topless. Safran was fired by Klinger and replaced by Alastair Reid. Hayden said "Michael got rid of him because I don’t think he didn’t like what he saw, or something, but ...er... it was just that little bits of it were a bit tacky."
Most of the finance came from Star Cinemas in the UK. Klinger sold the film to Joseph Levine of Anglo-Embassy for over $1 million. Hayden later said the film was "one of those projects that could so easily have gone wrong. It could have been a bit sleazy. Alastair made the film more grounded, so it wasn’t just done for sensationalism."
Hayden recalled Diana Dors "hadn’t had a resurgence then; she was still yesterday’s news. And then suddenly, as the film came out, she had a resurgence. She was terrific. They did use her name quite a lot to hang the film on and it certainly paid off. She was quite a coup, and a smashing lady. I loved her. Her character casts a long shadow over the film. It needed somebody like that to do it." The film helped revive her career.
Read on Wikipedia · Text from Wikipedia, CC BY-SA 4.0. Data from Wikidata.
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