The Golden Era (2014)
黃金時代
The story of writer Xiao Hong comes alive through memories of her great love affair, literary influence and escape from China during World War II.
Cast
- 汤唯 — Xiao Hong
- 冯绍峰 — Xiao Jun
- 王志文 — Lu Xun
- 郝蕾 — Ding Lin
- 田沅 — Bai Lang
- 袁泉 — Mei Zhi
- 丁嘉丽 — Xu Guangping
- 朱亚文 — Duanmu Hongliang
- 黄轩 — Luo Binji
- 王千源 — Nie Gannu
- 祖峰 — Luo Feng
- 沙溢 — Shu Qun
Curiosità
- Budget: 80 Mln CN¥
- Girato a: Shanghai e Pechino
- Premi: 0 · Candidature: 2
The Golden Era is a 2014 biographical drama film directed by Ann Hui, written and executive produced by Li Qiang and starring Tang Wei and Feng Shaofeng. Tang portrays Xiao Hong, while Feng plays Xiao Jun, two of the most important writers of 20th century China. Other notable characters portrayed include Lu Xun, Duanmu Hongliang and Ding Ling.
Production
The idea for the film dates back to 2004, when Ann Hui and Chinese screenwriter Li Qiang discussed their interest in penning a story involving early 20th Century writers Xiao Hong (the pseudonym for Zhang Naiying) and Ding Ling. Research made by Hui and Qiang raised concerns over the possible censorship from the government because of Ding Ling's open criticism of the Communist Party throughout her life.
Although initially uninterested in Xiao Hong's work when she read them in the 1970s, Hui later reread her novels as part of better understanding the literary writer. Hui found it difficult to research Hong's own life due to the mystery that parts of her life were shrouded in, but remarked that the resulting screenplay for the film is “as close to the truth as we can get”.
The Golden Era production cost ¥70 million and lasted five months, during which shooting took place on location in Harbin, Wuhan, and Shanghai. Ann Hui would later describe the process of filming The Golden Era as making her “tense and nervous”, and playfully considered directing a comedy for her next film.
In addition to dramatizations, The Golden Era incorporates fictional narration, breaking the fourth wall, and faux-documentary interviews throughout the film, an unorthodox structure that gives it elements of experimental cinema.
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