Blood Bath (1966)
A painter of morbid art, who becomes a murderous vampire by night and kills young women, attempts a daytime relationship with a woman who resembles a former love and is also the sister of one of his victims.
- Erscheinungsdatum
- 1966-03-02
- TMDB
- 5.5 / 10 (35)
- Laufzeit
- 1 Std. 2 Min.
- Genres
- Horror
- Regie
- Jack Hill, Stephanie Rothman
Besetzung
- William Campbell — Antonio Sordi
- Sandra Knight — Donna Allen
- Karl Schanzer — Max
- Lori Saunders — Dorian / Melizza
- Marissa Mathes — Daisy Allen
- Sid Haig — Tall Beatnik
- Jonathan Haze — Beatnik
- Biff Elliot — Cafe Manager
- Fred Thompson — Beatnik
- Roger Corman — Antonio Sordi (in flashback) (uncredited)
- Jim Begg — Fanged Vampire (uncredited)
- Patrick Magee — Linda's Husband (archive footage) (uncredited)
Wissenswertes
Blood Bath is a 1966 American horror film directed by Jack Hill and Stephanie Rothman, and starring William Campbell, Linda Saunders, Marissa Mathes, and Sid Haig. The film concerns a mad painter of macabre art who turns into a vampire-like man by night, apparently as a result of a family curse, and believes that he has found his reincarnated mistress in the person of an avant-garde ballerina.
Production
In 1963, while on vacation in Europe, Roger Corman made a $20,000 deal to distribute an as-yet unproduced Yugoslavian espionage thriller titled Operacija Ticijan (English: "Operation: Titian"). Corman also insisted on involvement in the production to ensure it could be adequately "Americanized", and provided two well-known English-speaking cast members, William Campbell and Patrick Magee for lead roles.
Unfortunately, the completed film was deemed unreleasable by Corman, although a redubbed, slightly re-edited version would eventually be released directly to television under the title Portrait in Terror.
Meanwhile, in 1964, Corman asked director Jack Hill to salvage the film. Hill wrote numerous new principal scenes, and filmed them in Venice, California, in order to match the original movie's European look, and turned the former spy thriller into a horror movie about a crazed madman who kills his models and makes sculptures out of their dead bodies.
In 1966, Corman made another attempt to create a workable film from the footage already shot. He hired another director, Stephanie Rothman, to change the story as she saw fit.
While retaining much of Hill's material, she changed the plot from a story about a deranged, murderous artist to a story about a deranged, murderous artist who is also a vampire. Because Campbell refused to participate in yet another reshoot, Rothman was forced to use a completely different actor for the new vampire scenes.
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