Two 4 One (2014)
When Adam helps his nutty ex-girlfriend Miriam artificially inseminate, it turns into a one-night stand-- and they both wind up pregnant. You see, Adam has been transitioning to living as a man. Now torn between his feelings for Miriam and his need for a masculine identity, Adam must figure out whether he's going to settle down and have a baby, or just try to be one of the guys.
- 上映日期
- 2014-09-21
- TMDB
- 2.8 / 10 (5)
- 片长(分钟)
- 1小时20分钟
- 类型
- 剧情, 喜剧
- 导演
- Maureen Bradley
演员阵容
- Gavin Crawford — Adam
- 娜奥米·斯尼克斯 — Miriam
- 加布里埃尔·罗斯 — Franny
- Andrea Menard — Julia
- Matt Baram — Brian
- Chris Mackie — Fitch
- Matt Hamilton — Duncan
- Dean Wray — Sylvain
- Demelza Randall — Sarah
- Christine Willes — Dr. Sharp
- Karen Brelsford — Dr. Beck
- Brett Delaney — Clinic Doctor
趣闻
Two 4 One is a 2014 Canadian comedy-drama film that marks the debut of Victoria, British Columbia filmmaker Maureen Bradley. The film stars Gavin Crawford as Adam, a trans man who agrees to have a one-night stand with his ex-girlfriend Miriam during which he uses a mail order at-home pregnancy kit to artificially inseminate her with donated sperm. However, an accident during the encounter leaves both Adam and Miriam pregnant, forcing Adam, who has not yet completed the surgical phase of his gender transition, to confront the ways in which the pregnancy will influence his sense of gender identity.
Production
Two 4 One is loosely inspired by the real-life pregnancy of Thomas Beatie, a trans man who gave birth to three children between 2008-2010 in place of his infertile wife. After undergoing sex reassignment surgery on his chest region, but keeping his internal reproductive organs intact, Beatie and his wife used artificial insemination and donated sperm to impregnate Beatie in 2007.
Financial backing for the film was contributed by Telefilm Canada, National Screen Institute, and the BC Arts Council, as well as a crowdfunding campaign on Indiegogo. Due to a limited budget and 15-day filming window, Bradley's choice to film in her hometown was both inevitable and serendipitous, with Victoria's coastal backdrop being a key feature to the film's theme of existential questioning.
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