12 + 1

12 + 1 (1969)

Mario, a young philanderer, receives 13 antique chairs in a bad state by inheritance and decides to sell off them to get some money. Afterwards he gets to know that one of them contains documents worth a lot of money. So he begins an adventurous trip to regain possession of the chair. On the way he meets many strange people who would like to help or to swindle him.

개봉일
1969-10-07
TMDB
5.3 / 10 (32)
상영 시간(분)
1시간 34분
장르
코미디
감독
Nicolas Gessner

출연진

흥미로운 사실

  • 원작: 열두 개의 의자
  • 촬영지: 파리 및 뉴욕

The Thirteen Chairs is a 1969 comedy film directed by Nicolas Gessner and Luciano Lucignani and starring Sharon Tate, Vittorio Gassman and Orson Welles, and featuring Vittorio De Sica, Terry-Thomas, Mylène Demongeot, Grégoire Aslan, Tim Brooke-Taylor and Lionel Jeffries.

Production and release

The Thirteen Chairs was filmed from February to May 1969. Orson Welles and Tim Brooke-Taylor had their scenes filmed during a break from shooting Welles' comedic film One Man Band. Brooke-Taylor recalled:

I went to film in Cinecitta and was in the producer's office. Ed Pope was on the phone trying to persuade Orson to do the film. He was running through a list of the cast, big names but Orson was not liking them. Eventually Mr Pope got to my name. Pope had no clue who I was and asked where I might be.

"He originally was going to be a magician, but we re-wrote the scene with him as a ham actor doing Dr Jekyll and Mr Hyde. We shot most of it in a cinema in Rome and some in the Players' Theatre in London. They were evening shoots in Rome. Orson would occasionally get annoyed with the director and ask me to take over. He'd usually had a drink or two and I found myself shouting "Get over there you big fat pouf.".

"When I got back to London we still had some filming to work on his TV project. When I disagreed over something he said, "Just because you've been in a B movie doesn't mean you know everything now." He grinned and said "Sorry, I meant an A movie" remembering he was in it as well. I didn't see him again after that. But I always had the best memories of working with a truly great man.

Because the script called for several semi-nude scenes from Sharon Tate, the director arranged to film those scenes first during the early months of her pregnancy. As filming, and her pregnancy, progressed, the director obscured Tate's stomach with items such as large purses and scarves. This is most apparent in the scene following her ride in the furniture mover's van.

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