దేవదాసు

దేవదాసు (1953)

Landlord Narayan Rao's son Devdasu and Parvathi, their poor neighbour's daughter, fall in love. But Devadas's family does not approve of the relationship.

Erscheinungsdatum
1953-06-26
TMDB
5.8 / 10 (6)
Laufzeit
3 Std. 11 Min.
Genres
Drama, Familie, Liebesfilm
Regie
Vedantam Raghavaiah

Besetzung

Wissenswertes

  • Basiert auf: Debdas

Devadasu is a 1953 Indian romantic drama film directed by Vedantam Raghavayya and produced by D. L. Narayana for Vinodha Pictures. Chakrapani wrote the script based on Sarat Chandra Chattopadhyay's 1917 novel, Devdas. C. R. Subbaraman composed the film's music. The film was edited by P. V. Narayanan, while B. S. Ranga provided the cinematography.

Production

Devadasu was directed by Vedantham Raghavayya and produced by D. L. Narayana under the production banner of Vinodha Pictures. It was produced simultaneously in Telugu and Tamil languages (the latter as Devadas). The film's script, which was written by Chakrapani, was based on the novel Devdas by Sarat Chandra Chattopadhyay. The story of Devadasu centers around a feudal lord's son Devadasu falling in love with a poor girl Parvati.

The film was launched by Vinoda Pictures with Akkineni Nageswara Rao and Sowcar Janaki as the lead pair. After a week of shooting, the film was shelved due to the view that such a story might not succeed in Telugu; the production company instead produced Shanti, which became a failure. One of the partners, D. L. Narayana then decided to revive Devadasu as an independent producer.

Samudrala Sr. and Udaykumar wrote the dialogue for the Telugu and Tamil versions, respectively. B. S. Ranga was recruited as the director of photography, and P. V. Narayana edited the film. Vali and Kotwankar were the art directors.

Principal photography commenced with Nagaraja Rao, a still photographer shooting some stills of Nageswara Rao in the guise of Devadasu, with a glass in his hand and the looks of a drunkard. Rao also took shots of Savitri in Parvati's make-up in Naarsu's Studio. Impressed with these stills, Narayana decided to use the same make-up for the real shooting of the film.

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