The Hallow

The Hallow (2015)

Deep within the darkness of secluded forest land in rural Ireland dwells an ancient evil. Feared by the nearby superstitious villagers as cursed creatures who prey upon the lost, their secrets have been kept from civilization and remain on their hallowed ground. But when a conservationist from London moves in with his wife and infant child in order to survey the land for future construction, his actions unwittingly disturb the horde of demonic forces. Alone in a remote wilderness, he must now ensure his family's survival from their relentless attacks.

Data lansării
2015-11-06
TMDB
5.7 / 10 (710)
Durată
1 h 37 min
Genuri
Horror, Fantasy
Regizor
Corin Hardy

Distribuție

Curiozități

The Hallow is a 2015 supernatural horror film directed by Corin Hardy, written by Hardy and Felipe Marino, and starring Joseph Mawle, Bojana Novakovic, Michael McElhatton, and Michael Smiley. It is a British-Irish co-production filmed in Ireland. It premiered at the 2015 Sundance Film Festival on 25 January 2015.

Production

The film was written to segue from a relationship drama into more of a dark fairytale, and the pacing matched this transition. Hardy wanted to touch upon many different subgenres of horror, including body horror and creature feature. Inspirations for the film were Hardy's love for fairytales, Ray Harryhausen (with whom Hardy was close friends), and horror films like The Evil Dead, Alien, and The Thing.

Shooting took place in Ireland for six weeks. Hardy wanted to keep the shooting "as real as possible". This involved shooting on location in forests and around lakes, including one scene where Hardy wore a wetsuit to shoot from inside a lake. Continuing this theme of realism, Hardy focused on giving the narrative a more rational, scientific base than the traditional magic-based fable. Martijn van Broekhuizen was the cinematographer.

The creatures were done by British SFX artist John Nolan, whom Hardy sought out in an effort to find what he called the British equivalent to Stan Winston or Rob Bottin. The effects were primarily practical. The creatures were a mix of practical effects and CGI. Although a fan of old-school "man in a rubber suit" effects, Hardy took advantage of modern technology to augment the look of the creatures.

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