宮本武蔵完結編 決闘巌流島 (1956)
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
- Data de estreia
- 1956-01-03
- TMDB
- 7.2 / 10 (144)
- Duração
- 1 h 45 min
- Géneros
- Ação, Aventura, Drama, Romance, História
- Realizador
- Hiroshi Inagaki
- Coleção
- Samurai Collection
Elenco
- Toshiro Mifune — Musashi Miyamoto a.k.a. Takezo
- 鶴田浩二 — Kojiro Sasaki
- 八千草薫 — Otsu
- 岡田茉莉子 — Akemi
- 二代目尾上九朗右衛門 — Takuan
- 瑳峨三智子 — Omitsu
- 志村喬 — Court official
- 千秋実 — Sasuke the boatman
- 佐々木孝丸 — Omitsu's father
- 田中春男 — Kumagoro the horse thief
- 上田吉二郎 — Priest Ogon
- 沢村いき雄 — Innkeeper (uncredited)
Curiosidades
Samurai III: Duel at Ganryu Island is a 1956 Japanese film directed by Hiroshi Inagaki and starring Toshirō Mifune. Shot in Eastmancolor, it is the third and final film of Inagaki's Samurai Trilogy.
Production
The film Samurai III: Duel at Ganryu Island, made in 1956, came after the end of the Allied occupation of Japan following World War II. "The Allied occupation initially restricted films promoting feudal values, putting the kibosh on this most Japanese of action genres".
This attitude relaxed somewhat in 1949, as the Occupation became more concerned with the threat of international communism and less with jidaigeki and chanbara. Inagaki himself had directed Kanketsu Sasaki Kojirô: Ganryû-jima kettô, an earlier black and white film about Sasaki that climaxes with the fatal duel between Miyamoto and Sasaki, in 1951.
After the Allies left Japan in 1952, "the way was clear for the golden age of the samurai film", allowing Inagaki to specialize in the genre he had been most closely associated with before the war. World War II, the Allied occupation of Japan and then the Allies leaving certainly influenced Japanese film.
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