警匪快艇搏命战 (1970)
Puppet on a Chain
故事是麥克林（Maclean）對麥克林小說的第十四和第七部電影改編。這部電影在阿姆斯特丹運河沿岸的標誌性的追船行動（時間為8分鐘）在兩年後的詹姆斯·邦德電影《 Live and Let Die》和1988年的驚悚片《 Amsterdamned》中激發了追逐小船的靈感，該影片還採用了長長的運河船追逐。 金牌特勤隊 裡許多追逐場景，皆設定在水道蜿蜒狹窄的運河以及倫敦的碼頭進行拍攝，賽門魏斯特導演受到七○年代經典動作電影本片啟發，該片當時在荷蘭阿姆斯特丹拍攝完成，情節正是讓快艇在城市裡穿梭追逐。
- 上映日期
- 1970-08-02
- TMDB
- 5.9 / 10 (34)
- 片长（分钟）
- 1小时38分钟
- 类型
- 惊悚
- 导演
- Geoffrey Reeve, Don Sharp
演员阵容
- Sven-Bertil Taube — Paul Sherman
- 芭芭拉·帕金斯 — Maggie
- Alexander Knox — Colonel De Graaf
- 帕特里克·艾伦 — Inspector Van Gelder
- Vladek Sheybal — Meegeren
- Ania Marson — Astrid Lemay
- Penny Casdagli — Trudi
- Peter Hutchins — The Assassin
- Drewe Henley — Jimmy Duclos
- Henny Orri — Herta
- Stewart F. Lane — George Lemay
- Mark Malicz — Morgenstern
趣闻
- 改编自：Puppet on a Chain
Puppet on a Chain is a 1970 British thriller film directed by Geoffrey Reeve and starring Sven-Bertil Taube, Barbara Parkins and Alexander Knox. It is based on the 1969 novel Puppet on a Chain by Alistair MacLean.
Production
Alistair MacLean had formed a partnership with Geoffrey Reeve to make movies where MacLean would write and Reeves would direct. Reeves had been part of the development of Puppet on a Chain. The film was financed by the Big City company of Israel film producer Kurt Unger. MacLean wrote the script but Unger was unhappy and had it rewritten by Paul Wheeler which upset MacLean. Wheeler says he wrote the script for £2000.
The film was shot on location in the Netherlands and at Shepperton Studios.
The famous boat chase sequence was performed by Wim Wagenaar and directed by Don Sharp who was specifically hired to do it over a four-week period. Once he completed that sequence he was hired by the producers to reshoot additional sequences, using a moviola of the original cut on set to enable footage to match. Sharp says the plot was adjusted, the ending changed, among many other adjustments. Sharp:
The chappie who directed originally [Geoffrey Reeve, who died in 2010] has gone on to produce some nice movies, and before this he had a good career in shooting commercials. And he’s a talented man. But he didn’t have a story sense then, as a director, and he and his camera operator, each set-up, you know, a sequence that looked like part of a television commercial and wasn’t there for the drama of it, or just to let the audience know what was ha…
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