Across the Wide Missouri (1951)
The action, the drama, the men, the women... who blasted their heroic way into a new empire!
In the 1830's beaver trapper Flint Mitchell and other white men hunt and trap in the then unnamed territories of Montana and Idaho. Flint marries a Blackfoot woman as a way to gain entrance into her people's rich lands, but finds she means more to him than a ticket to good beaver habitat.
- Date of release
- 1951-10-12
- TMDB
- 6.1 / 10 (37)
- Runtime
- 1h 18m
- Genres
- Adventure, Romance, Western
- Director
- William A. Wellman
Casting
- Clark Gable — Flint Mitchell
- Ricardo Montalban — Ironshirt
- John Hodiak — Brecan
- Adolphe Menjou — Pierre
- J. Carrol Naish — Looking Glass
- Jack Holt — Bear Ghost
- Alan Napier — Capt. Humberstone Lyon
- George Chandler — Gowie
- Richard Anderson — Dick
- María Elena Marqués — Kamiah
- Bobby Barber — Gardipe (uncredited)
- Timothy Carey — Baptiste DuNord (uncredited)
Interesting facts
- Based on: Across the Wide Missouri
- Filmed in: Colorado
Across the Wide Missouri is a 1951 American Technicolor Western film directed by William A. Wellman and starring Clark Gable, Ricardo Montalbán, John Hodiak and James Whitmore. The screenplay is based on historian Bernard DeVoto's eponymous 1947 book and dramatizes an account of several fur traders and their interaction with the local Indians.
Production
During filming, Ricardo Montalbán was reportedly thrown from a horse, knocked unconscious and trampled by another horse, causing a spinal injury that recurred in 1993 and confined him to a wheelchair.
The film was shot largely in the Rocky Mountains, mostly at altitudes between 9,000 and 14,000 feet (2,743 and 4,267 meters), north of Durango, Colorado near Purgatory Resort and Molas Pass, the main location sites.
The narration of the adult Chip Mitchell in the film was the suggestion of MGM producer Sam Zimbalist in response to negative audience reaction about the film's excessive length. Zimbalist felt that the insertion of the narration would enable the film to be edited while maintaining the integrity of the story. Director William A. Wellman, devastated by the cuts, disowned the film.
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