孤独的妻子 (1964)
চারুলতা
此片根据泰戈尔同名短篇小说改编，在这部被誉为“为精神进步做了杰出贡献”的影片中，导演以当时的社会政治为背景，表现了恰鲁拉达这位已婚的中产阶层妇女无所事事的日常生活，以及她对自我的不断认识过程和感情变化。女主人公恰鲁拉达的丈夫是一位进步的知识分子，但他整日埋头编辑着一份政治刊物，对于妻子，他缺乏起码的了解和理解，也没有更多的时间来与妻子达成互相的沟通，这个孤寂的女人在不知不觉中爱上了丈夫的堂兄，堂兄是一个年轻的性格直爽的诗人，他富于激情和创造力，他对恰鲁拉达表现出了一个诗人的激情和互动的表达，在堂兄的引导和帮助下，恰鲁拉达开始认识她自己，在不断的内心情感冲突下，她终于明确了自己想要的生活和未来前进的道路。
演员阵容
- Madhabi Mukherjee — Charulata
- 苏米特拉·查特吉 — Amal
- Shailen Mukherjee — Bhupati Dutta
- Shyamal Ghoshal — Umapada
- Gitali Roy — Mandakini (Manda)
- Subrata Sensharma — Motilal
- Bankim Ghosh — Jagannath
- Dilip Bose — Shashanka
- Nilotpal Dey — Joydeb
- Bholanath Koyal — Braja
- Suku Mukherjee — Nisikanta
- Kamu Mukherjee — Fellow Liberal at the Party
趣闻
- 改编自：Nastanirh
- 获奖：2 · 提名：0. 包括：National Film Award for Best Feature Film; 最佳导演银熊奖
Charulata is a 1964 Indian drama film written and directed by Satyajit Ray. Based on Rabindranath Tagore's novella Nastanirh, it stars Soumitra Chatterjee, Madhabi Mukherjee, and Shailen Mukherjee. The film is widely regarded as one of Ray's finest works.
Production
Charulata is based on the 1901 novella Nastanirh (The Broken Nest) by Bengali author Rabindranath Tagore. Ray later said that he liked the novella because "it has a western quality to it and the film obviously shares that quality. That's why I can speak of Mozart in connection with Charulata quite validly."
On the occasion of the birth centenary of Ray, senior journalist B.M. Hanif of Prajavani newspaper reported that speculations were rife at the time of the film's release that the story was based on the lives of Rabindranath Tagore, his brother Jyotirindranath Tagore (who was 12 years older than Rabindranath), and his sister-in-law Kadambari Devi (who was two years older than Rabindranath), considering the fact that the story takes place in 1879–1…
Ray spent many months researching the film's historical setting, working for the first time in his career without a deadline for either pre-production or the shoot. None of the film's interior scenes were shot on location, and Ray worked closely with art director Bansi Chandragupta to build or remodel all of the sets to accurately portray India in the 1880s. Ray once called Charulata his favourite of his films.
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