All Through the Night (1942)
Broadway gamblers stumble across a plan by Nazi saboteurs to blow up an American battleship.
- 개봉일
- 1942-01-10
- TMDB
- 6.7 / 10 (77)
- 상영 시간(분)
- 1시간 47분
- 장르
- 코미디, 액션, 스릴러
- 감독
- Vincent Sherman
출연진
- 험프리 보가트 — Gloves Donahue
- Conrad Veidt — Franz Ebbing
- Kaaren Verne — Leda Hamilton
- Jane Darwell — Mrs. Donahue
- Frank McHugh — Barney
- Peter Lorre — Pepi
- Judith Anderson — Madame
- William Demarest — Sunshine
- Jackie Gleason — Starchy
- Phil Silvers — Waiter
- Wallace Ford — Spats Hunter
- Barton MacLane — Marty Callahan
흥미로운 사실
- 흥행 수입: US$196.8만
- 제작비: US$64.3만
- 제작비의 3.1배를 벌어들임
All Through the Night is a 1942 American comedy-crime-spy thriller film directed by Vincent Sherman and starring Humphrey Bogart, Conrad Veidt and Kaaren Verne, and featuring many of the Warner Bros. company of character actors. The supporting cast features Peter Lorre, Frank McHugh, Jackie Gleason, Phil Silvers, Barton MacLane, and William Demarest.
Production
Production was completed in early October 1941, two months before the attack on Pearl Harbor. The film was released in New York on January 23, 1942.
Producer Hal B. Wallis made All Through the Night as a "companion piece" to his earlier anti-Nazi melodrama, Underground, despite the poor box office of the prior film.
Humphrey Bogart was not the first person considered for the lead in the film: it was originally supposed to be played by Walter Winchell, the gossip columnist who would later be the narrator for the TV series The Untouchables. When Winchell could not get the time off to make the film, Wallis offered it to George Raft, and then, when Raft turned it down, to Bogart.
Olivia de Havilland and Marlene Dietrich were considered for the female lead.
On TCM.com, Mark Frankel reports that the scene in which Bogart and William Demarest confuse a room full of Nazi sympathizers with doubletalk was not part of the original script, “Sherman thought the idea up himself and presented it to producer Hal Wallis. Wallis hated the idea, but Sherman was so convinced that the film needed it, that he shot it anyway. When Wallis saw the scene in the rough cut, he angrily told Sherman to take it out.
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