Un mot pour le pauvre hussard

Un mot pour le pauvre hussard (1981)

О бедном гусаре замолвите слово

Un régiment de hussards arrive dans la ville provinciale de Gubernsk pour les manœuvres d'été. Les hussards mènent une vie frivole en dehors de la caserne, appréciant les soirées au théâtre, le billard, les jeux de cartes et flirtant avec les femmes de la région. Mais le régiment est bientôt confronté à des problèmes lorsque le comte Merzlyaev arrive de Saint-Pétersbourg sur ordre personnel de l'empereur russe avec une mission spéciale.

Date de sortie
1981-01-01
TMDB
6.8 / 10 (41)
Durée
2 h 47 min
Genres
Comédie, Drame, Histoire, Téléfilm
Réalisateur
Eldar Riazanov

Distribution

Anecdotes

Say a Word for the Poor Hussar, translit. O bednom gusare zamolvite slovo. Literary “Put a good word for a poor hussar”) is a 1981 Soviet film directed by Eldar Ryazanov, shot in the style of a historical tragicomedy.

Filming scandal

The film proved to be an ordeal for Eldar Ryazanov. The screenplay was written in the summer and autumn of 1978. The State Committee for Cinematography of the USSR did not accept the script, and Eldar Ryazanov brought it to Central Television of the USSR. After a long bureaucratic process the script was adopted into production by Studio Ekran. In autumn 1979 the movie was put into production in the cinematic studio Mosfilm.

Then Ryazanov and Gorin made a decision to rewrite the script. The general meaning of the film was immediately distorted, the story developed numerous inconsistencies and logical absurdities. Merzlyaev became an indistinct official with special assignments. To emphasize his involvement in the secret services, he was awarded the rank of Actual Privy Councilor.

Total control and censorship continued in the course of the filming. In his autobiography Ryazanov tells of flagrant cases of such intervention. For example, in one of the humorous episodes, actor Bubentsov (played by Yevgeny Leonov) was supposed to quote the famous poem by Lermontov: "Farewell, unwashed Russia!". TV bosses noticed the lines: "...

Working over the film "Say a Word for the Poor Hussar" was not only a test for professionalism, it was a test for integrity, honesty and generosity. The content of the movie corresponded to our lives, to our work. The provocations, intrigues, infamies, that were described in our scenario, we had tested on ourselves while shooting the movie.

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