Kiss or Kill (1997)
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Nikki abborda gli uomini nei bar, li attira in una stanza d'albergo, li droga, li deruba insieme al suo complice e amante Al. Un giorno, però, uno dei malcapitati muore accidentalmente e i due sono costretti alla fuga. Ben presto si accorgono che la valigetta che gli hanno rubato contiene una cassetta con le immagini di un video porno che il famoso giocatore di football Zipper Doyle ha girato con un minore. Così i due si trovano alle calcagna non solo la polizia che li accusa di omicidio, ma anche Zipper.
- Data di uscita
- 1997-07-01
- TMDB
- 4.5 / 10 (21)
- Durata
- 1 h 36 min
- Generi
- Crime, Dramma
- Regista
- Bill Bennett
Cast
- Matt Day — Al Fletcher
- Frances O'Connor — Nikki Davies
- Chris Haywood — Detective Hummer
- Andrew S. Gilbert — Detective Crean
- Tiffany Peters — Young Nikki
- Syd Brisbane — Nikki's Father
- Julie Sobotta — Nikki's Mother
- Geoff Revell — Paul Nathan
- Barry Langrishe — Zipper Doyle
- Eliza Lovell — Felicity
- Liz Windsor — Medical Examiner
- Jordan Weldon-Iley — Young Boy
Curiosità
- Incassi: 929K A$
- Premi: 5 · Candidature: 10. Tra cui: AACTA al miglior film; AACTA al miglior attore non protagonista; AACTA al miglior regista; AACTA Award for Best Editing
Kiss or Kill is a 1997 Australian thriller film about two lovers and fugitives from the law who are pursued across the Australian Outback. The film was written and directed by Bill Bennett, and stars Frances O'Connor and Matt Day.
Production
Bill Bennett originally got the idea to make the film while shooting Backlash at Broken Hill. He was talking with a crew member who started sharpening a Rambo knife and joked that he could easily kill Bennett and no one would ever know. The encounter unsettled Bennett and inspired him to write a story about a relationship where you did not completely know the other person.
Bennett decided to make the film after an unhappy experience on his first Hollywood movie Two If By Sea. He devised the movie to be low budget and was willing to make it with his own money but secured finance from Newvision Films and Film Australia. Like several of Bennett's previous movies, there was not a traditional script, but a detailed screen treatment, with the dialogue created with actor's input.
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