Nothing Sacred (1937)
SEE THE BIG FIGHT!
When a small-town girl is incorrectly diagnosed with a rare, deadly disease, an unknowing newspaper columnist turns her into a national heroine.
- Date of release
- 1937-11-25
- TMDB
- 6.3 / 10 (117)
- Runtime
- 1h 17m
- Genres
- Comedy, Romance
- Director
- William A. Wellman
Casting
- Carole Lombard — Hazel Flagg
- Fredric March — Wallace "Wally" Cook
- Charles Winninger — Dr. Enoch Downer
- Walter Connolly — Oliver Stone
- Sig Ruman — Dr. Emil Eggelhoffer
- Frank Fay — Master of Ceremonies
- Troy Brown Sr. — Ernest Walker
- Maxie Rosenbloom — Max Levinsky
- Margaret Hamilton — Warsaw, Vermont Drugstore Lady
- Olin Howland — Baggage Man
- Billy Barty — Boy Biting Wally's Ankle (uncredited)
- Nora Cecil — Schoolteacher (uncredited)
Interesting facts
Nothing Sacred is a 1937 American Technicolor screwball comedy film directed by William A. Wellman, produced by David O. Selznick, and starring Carole Lombard and Fredric March with a supporting cast featuring Charles Winninger and Walter Connolly. Ben Hecht was credited with the screenplay based on the 1937 story "Letter to the Editor" by James H. Street, and an array of additional writers, including Ring Lardner Jr., Budd Schulberg, Dorothy Parker, Sidney Howard, Moss Hart, George S. Kaufman and Robert Carson made uncredited contributions.
Production
The first screwball comedy filmed in color, Nothing Sacred also represents the first use in a color film of process effects, montage and rear screen projection. Backgrounds for the rear projection were filmed on the streets of New York. Paramount Pictures, 20th Century-Fox and other studios refined this technique in their subsequent color features.
Ben Hecht is credited with writing the screenplay in two weeks on a train. He adapted the story "Letter to the Editor" by James H. Street which had been first been published in Hearst's International-Cosmopolitan. Hecht wrote a role for his friend John Barrymore in the film, but David Selznick refused to use him as Barrymore had become an alcoholic. This caused a rift between Hecht and Selznick, and Hecht walked off the picture.
One reason that the film is considered among the most celebrated screwball comedies is that underneath the humor, it incorporates sharply cynical themes of corruption and dishonesty. This film, along with Hecht's The Front Page (1931) and its 1940 remake His Girl Friday with Cary Grant, caricatures the chicanery to which some newspapers resorted in order to get a "hot" story.
Production on the film started on June 12, 1937 and ended on August 2, 1937.
Read on Wikipedia · Text from Wikipedia, CC BY-SA 4.0. Data from Wikidata.
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